The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... constitutes the most significant thematic, formal, and stylistic considerations in the later Wessex novels. Wessex is a literary anthology or fragmented ensemble of specific themes, forms, and figures drawn from the British romantic ...
... constitutes the most significant thematic, formal, and stylistic considerations in the later Wessex novels. Wessex is a literary anthology or fragmented ensemble of specific themes, forms, and figures drawn from the British romantic ...
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... constitute romantic emblems turned round upon themselves and become critical of their own constituent features and desires. Wessex writing then is always allegorical (and not symbolic), following Coleridge's distinction between the two ...
... constitute romantic emblems turned round upon themselves and become critical of their own constituent features and desires. Wessex writing then is always allegorical (and not symbolic), following Coleridge's distinction between the two ...
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... constitutes the beginning of Wessex writing in its modern or mature phase. We can see this conclusion for instance in The Woodlanders where it is the silence and solitude of Shelley's unimaginably vacant Mont Blanc which rises up before ...
... constitutes the beginning of Wessex writing in its modern or mature phase. We can see this conclusion for instance in The Woodlanders where it is the silence and solitude of Shelley's unimaginably vacant Mont Blanc which rises up before ...
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... constitutes their claim to originality. In his “General Preface to the Novels and Poetry (1912),” Hardy defined the art of narrative as an “objectless consistency” (Orel, 49). He meant that his Wessex narratives are highly formal ...
... constitutes their claim to originality. In his “General Preface to the Novels and Poetry (1912),” Hardy defined the art of narrative as an “objectless consistency” (Orel, 49). He meant that his Wessex narratives are highly formal ...
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... constitutes the conflict in her existence as a returned native. Moreover, Giles's Wordsworthian “wise passiveness” and singleness of vision is not a help to him; rather it is this very passiveness which is the source of his defeat and ...
... constitutes the conflict in her existence as a returned native. Moreover, Giles's Wordsworthian “wise passiveness” and singleness of vision is not a help to him; rather it is this very passiveness which is the source of his defeat and ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian