The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... death. In sum, it is a narrative concerned with the disappearance of all that an early romanticism had married together or tried to and which Carlyle had tried to redeem. The Weydon divorce is then a negative emblem contradicting all ...
... death. In sum, it is a narrative concerned with the disappearance of all that an early romanticism had married together or tried to and which Carlyle had tried to redeem. The Weydon divorce is then a negative emblem contradicting all ...
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... death wish, Henchard's life proceeds by a degeneration of the self in order to fulfill the ultimate aim of his desire which is to have his life “unbe.” Henchard is a Carlylean “demon of the Void” who rules over the capital of Wessex, a ...
... death wish, Henchard's life proceeds by a degeneration of the self in order to fulfill the ultimate aim of his desire which is to have his life “unbe.” Henchard is a Carlylean “demon of the Void” who rules over the capital of Wessex, a ...
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... Death (2.4.62-63). It is the “shape of Death” or nature as the abyss and history as pure process that is highlighted in Fitzpiers's rainbow casting. Tilottama Rajan's gloss on Shelley's floral rainbow, that it “points to the self ...
... Death (2.4.62-63). It is the “shape of Death” or nature as the abyss and history as pure process that is highlighted in Fitzpiers's rainbow casting. Tilottama Rajan's gloss on Shelley's floral rainbow, that it “points to the self ...
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... death in the woodlands. Although the theme of romantic decay exceeds its figural predicates as, perhaps, does the interpersonal drama of the fable, it is nonetheless the figural predicates which design and inform the cultural allegory ...
... death in the woodlands. Although the theme of romantic decay exceeds its figural predicates as, perhaps, does the interpersonal drama of the fable, it is nonetheless the figural predicates which design and inform the cultural allegory ...
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... death by drowning and by fever conflate the two ways which, according to Hardy, romantic poets typically die. Hardy is of course thinking of the deaths of Shelley and Keats, and his understanding is satirical (Millgate, Hardy, 505). Yet ...
... death by drowning and by fever conflate the two ways which, according to Hardy, romantic poets typically die. Hardy is of course thinking of the deaths of Shelley and Keats, and his understanding is satirical (Millgate, Hardy, 505). Yet ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian