The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... father is divorced from daughter, brother from brother (figuratively, Farfrae, who resembles Henchard's dead brother), where leadership is divorced from the qualities of good government, and where authorship is divorced from the power ...
... father is divorced from daughter, brother from brother (figuratively, Farfrae, who resembles Henchard's dead brother), where leadership is divorced from the qualities of good government, and where authorship is divorced from the power ...
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... Father Time,” he is Little Father Time writ large as well as a smaller, more provincial rendition of Father Chronos of The Dynasts. More complexly characterized, he is a man who turns away from a narcissistically inclined romanticism ...
... Father Time,” he is Little Father Time writ large as well as a smaller, more provincial rendition of Father Chronos of The Dynasts. More complexly characterized, he is a man who turns away from a narcissistically inclined romanticism ...
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... father is Phillotson, Wordsworth's is mother nature. Jude's form of romanticism heads him toward the city, that ... father's tent. Significantly, Arabella hurls a pig's pizzle at Jude to offer.
... father is Phillotson, Wordsworth's is mother nature. Jude's form of romanticism heads him toward the city, that ... father's tent. Significantly, Arabella hurls a pig's pizzle at Jude to offer.
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... father which symbolically denies Jude access to his oceanic fantasy of the breast (Christminster) and invites him to become a father in his own right by engaging in biological and social reproduction. Appropriately, the child of their ...
... father which symbolically denies Jude access to his oceanic fantasy of the breast (Christminster) and invites him to become a father in his own right by engaging in biological and social reproduction. Appropriately, the child of their ...
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... Father Time is Jude's repressed antiself. He is the perverse Wordsworthian child who fathers Jude into the permanent vacancy of a world not colored by his rainbow projections of culture. Derived from Shelley's “Chariot of the Hours ...
... Father Time is Jude's repressed antiself. He is the perverse Wordsworthian child who fathers Jude into the permanent vacancy of a world not colored by his rainbow projections of culture. Derived from Shelley's “Chariot of the Hours ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian