The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... poetry which structures Desperate Remedies, while overtly such contentions become the “philosophic” material of his later fictions, those from The Mayor of Casterbridge to Jude. The Dynasts, Hardy's last novel-length work, is a ...
... poetry which structures Desperate Remedies, while overtly such contentions become the “philosophic” material of his later fictions, those from The Mayor of Casterbridge to Jude. The Dynasts, Hardy's last novel-length work, is a ...
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... poetry, while Hardy takes issue with Wordsworth's philosophical poetry by interrogating its claims in his novels. Failing to give his consent to the claims of the romantic imagination in ways that Coleridge did, Hardy was compelled to ...
... poetry, while Hardy takes issue with Wordsworth's philosophical poetry by interrogating its claims in his novels. Failing to give his consent to the claims of the romantic imagination in ways that Coleridge did, Hardy was compelled to ...
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... poets before them had successfully overcome or evaded, and by so doing legitimized their creative vision by embodying that vision within a poetry of presence. In Wessex, the repressed skeptical and cynical content of such a poetry is ...
... poets before them had successfully overcome or evaded, and by so doing legitimized their creative vision by embodying that vision within a poetry of presence. In Wessex, the repressed skeptical and cynical content of such a poetry is ...
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... poetry that the twentiethcentury Hardy will write will be a poetry of interdiction wherein romantic “signseekers” are relentlessly disappointed and time always triumphs over romantic hopes. In sum, it is through an exhaustive ...
... poetry that the twentiethcentury Hardy will write will be a poetry of interdiction wherein romantic “signseekers” are relentlessly disappointed and time always triumphs over romantic hopes. In sum, it is through an exhaustive ...
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... poets and novelists in composing The Dynasts, which he has. Moreover, he vehemently denied that he had even read Tolstoy's War and Peace when he was composing his epic-drama. In fact, not only had he read Tolstoy's book when he was ...
... poets and novelists in composing The Dynasts, which he has. Moreover, he vehemently denied that he had even read Tolstoy's War and Peace when he was composing his epic-drama. In fact, not only had he read Tolstoy's book when he was ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian