The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... , comprehensible, and purposeful. Inscribed between fancy and history, Wessex narratives “irrealize” the symbol. Wessex vision represents the distance, and not the identity, between man's understanding of the real and the real.
... , comprehensible, and purposeful. Inscribed between fancy and history, Wessex narratives “irrealize” the symbol. Wessex vision represents the distance, and not the identity, between man's understanding of the real and the real.
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... represents “a vice” which inhabits three generations of desire—romantic, Victorian-romantic, and late8—each more tragically than the last. By its blatantly Victorian allegorical structure, its “close reading” of Shelley, its ...
... represents “a vice” which inhabits three generations of desire—romantic, Victorian-romantic, and late8—each more tragically than the last. By its blatantly Victorian allegorical structure, its “close reading” of Shelley, its ...
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... represents a discrete reflex to a particular set of poetic texts which voice a specific position within the romantic cultural problematic, thus collectively the ensemble of novels (the ensemble of ensembles) circumscribes Hardy's ...
... represents a discrete reflex to a particular set of poetic texts which voice a specific position within the romantic cultural problematic, thus collectively the ensemble of novels (the ensemble of ensembles) circumscribes Hardy's ...
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... represent, overall, the virtues of romantic eros such as Wordsworth's Margaret had found and then lost. As it is cast in the narrative, Henchard's bargain is Faustian, but it is to Carlyle's Faust that we must turn if we are to ...
... represent, overall, the virtues of romantic eros such as Wordsworth's Margaret had found and then lost. As it is cast in the narrative, Henchard's bargain is Faustian, but it is to Carlyle's Faust that we must turn if we are to ...
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... represents the fate of the “je” or ego ideal radically detached from the “moi” or ideal ego. The result of this detachment is that he forfeits the power to idealize or “selfshatter” his ego ideals. Thus, he becomes an externally ...
... represents the fate of the “je” or ego ideal radically detached from the “moi” or ideal ego. The result of this detachment is that he forfeits the power to idealize or “selfshatter” his ego ideals. Thus, he becomes an externally ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian