Shakespeare, the Roman PlaysHollis & Carter, 1963 - 288 sidor |
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... human motives . Throughout the earlier part of the action , before Caesar's murder , there is a sense of discrepancy between the massive public projection and the human reality of the dictator . This , in turn , is balanced by a similar ...
... human motives . Throughout the earlier part of the action , before Caesar's murder , there is a sense of discrepancy between the massive public projection and the human reality of the dictator . This , in turn , is balanced by a similar ...
Sida 122
... human curiosity - however unworthily directed - feeling its way to the revival of hope . If Antony's conduct paints him ' one way like a Gorgon ' , it is none the less true that for her - whose life depends upon it . ' the other way's a ...
... human curiosity - however unworthily directed - feeling its way to the revival of hope . If Antony's conduct paints him ' one way like a Gorgon ' , it is none the less true that for her - whose life depends upon it . ' the other way's a ...
Sida 222
... human being . The enemy's obstinate ' disdain ' makes him ' sweat with wrath ' ; after his initial repulse before the city gates , 1 Lartius refers to his ' exercise ' and he comments : ' My work hath not yet warm'd me ; fare ye well ...
... human being . The enemy's obstinate ' disdain ' makes him ' sweat with wrath ' ; after his initial repulse before the city gates , 1 Lartius refers to his ' exercise ' and he comments : ' My work hath not yet warm'd me ; fare ye well ...
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action affirmation Antony and Cleopatra Antony's appeal assertion attitude Aufidius balance blood Brutus Caesar Cassius Charmian Cominius confirms contemplate contrast Coriolanus cynicism death decision Decius dramatic effect Egypt elements emotion enemies Enobarbus episode exaltation exchange expression eyes fact feeling finally follows force fortunes friends Fulvia generosity gesture gods hath heart hero hero's honour human illusion implied imposes intensity intimate irony judgement Julius Caesar King Lear lead Lepidus Macbeth Marcius Mark Antony Menenius mood moral nature nobility noble Octavius once outburst passion patra patrician phrase play play's plea Plutarch poetry political Pompey present reaction ready realism reality reflection reply resolution response revealing rhetorical rival Roman Rome ruin scene seeks sense Shakespeare shame Sicinius situation speak speaker's speech spirit stresses thee thou tion tragedy tragic tribunes true truth turn typical unnatural utterance Volscian Volumnia weakness whilst words
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Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the ... Frangois Laroque Begränsad förhandsgranskning - 1993 |