Lord Byron: Don JuanIn this rambling, exuberant, conversational poem, the travels of Don Juan are used as a vehicle for some of the most lively and acute commentaries on human societies and behaviour in the language. The manner is what Goethe called 'a cultured comic language' - a genre which he regarded as not possible in German and which he felt Byron managed superbly. This edition is itself a significant contribution to Byron scholarship. The editors have been able to draw on their authoritative edition of the poem published by the University of Texas Press. The extensive annotation covers points of difficulty, selected variant readings and a mass of information on the historical allusions which Byron wove into the poem. Book jacket. |
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VIII | 37 |
IX | 41 |
X | 46 |
XI | 102 |
XII | 157 |
XIII | 189 |
XIV | 219 |
XV | 259 |
XXI | 375 |
XXII | 397 |
XXIII | 420 |
XXIV | 443 |
XXV | 471 |
XXVI | 497 |
XXVII | 522 |
XXVIII | 555 |
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appeared beauty blood blue Byron called cause common death Don Juan doubt earth editions English eyes face fair feelings give Greek half hand hath head heard heart heaven hope hour human Italy John kind King knew Lady late later least leave less letter light living London look Lord March matter means mind moral natural never night note to Canto o'er once pass passion past Perhaps Persian poem poet present published rest rhyme seemed seen sense sometimes soul stanza strange sweet tell there's things thou thought trans true truth turn Twas University verse whole wife wish woman women write wrote young youth
Hänvisningar till den här boken
The Invention of the Self: The Hinge of Consciousness in the Eighteenth Century John O. Lyons,Professor John O Lyons Fragmentarisk förhandsgranskning - 1978 |