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For his thought, that never stops,
Follows the water-drops

Down to the graves of the dead,

Down through chasms and gulfs profound, To the dreary fountain-head

Of lakes and rivers underground;

And sees them, when the rain is done,

On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.

Thus the Seer,

With vision clear,

Sees forms appear and disappear,

In the perpetual round of strauge

Mysterious change,

From birth to death, from death to birth, From earth to heaven, from heaven to earth; Till glimpses more sublime

Of things, unseen before,

Unto his wondering eyes reveal

The Universe, as an immeasurable wheel
Turning for evermore

In the rapid and rushing river of Time.

SONNET: THE POETS.

O ye dead poets, who are living still
Immortal in your verse, though life be fled,
Aud ye, O living poets, who are dead
Though ye are living, if neglect can kill,--
Tell me if in the darkest hours of ill,
With drops of anguish falling fast and red
From the sharp crown of thorns upon your head,
Ye were not glad your errand to fulfil?
Yes; for the gift and ministry of song
Have something in them so divinely sweet,
It can assuage the bitterness of wrong;
Not in the clamor of the crowded street,
Not in the shouts and plaudits of the throng,
But in ourselves, are triumph and defeat.

Impalpable impressions on the air,

A sense of something moving to and fro.

There are more guests at table than the hosts
Invited; the illuminated hall

Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;

He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands
And hold in mortmain still their old estates.

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapors dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

The perturbations, the perpetual jar

Of earthly wants and aspirations high, Come from the influence of that unseen star, That undiscovered planet in our sky.

And as the moon, from some dark gate of cloud, Throws o'er the sea a floating bridge of light, Across whose trembling planks our fancies crowd, Into the realm of mystery and night;

So from the world of spirits there descends
A bridge of light connecting it with this,
O'er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.

PHANTOMS.

All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair, Along the passages they come and go,

SONNET: NATURE.

As a fond mother, when the day is o'er,
Leads by the hand her little child to bed,
Half willing, half reluctant to be led,
And leave his broken playthings on the floor,
Still gazing at them through the open door,
Not wholly reassured and comforted
By promises of others in their stead,

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Ah! who shall lift that wand of magic power,

And the lost clew regain?

The unfinished window in Aladdin's tower
Unfinished must remain!

May 23d, 1864.

THE BELLS OF LYNN, HEARD AT NAHANT.
O curfew of the setting sun! O Bells of Lynn!
O requiem of the dying day! O Bells of Lynn!

From the dark belfries of yon cloud-cathedral wafted,
Your sounds aërial seem to float, O Bells of Lynn!

Borne on the evening wind across the crimson twilight,

to his own exertions. He was not nineteen when his first published poem appeared in a Newburyport paper, edited by William Lloyd Garrison. The first complete collection of his poems was published in 1850. Other volumes appeared later: "Songs of Labor," in 1851; "The Chapel of the Hermits," in 1852; "The Panorama," in 1856; "Home Ballads," in 1860; "In War Time," in 1863; "Snow - Bound," in 1865; "The Tent on the | Beach," in 1867; "Among the Hills," in 1868; "The Pennsylvania Pilgrim," in 1873.

Whittier was at different periods of his life an editor, and he has put forth some four or five volumes in prose. But it is as a poet, and one indigenous to the soil of America, and true to its traditions and associations, that he will be known to posterity. Even his moral and didactic verse is distinguished by a lyrical grace and freedom that overcomes their gravity. His "Maud Muller" (1855) is one of the choicest of idyllic poems, and savors thoroughly of the native soil. In his religious utterances

O'er land and sea they rise and fall, O Bells of Lynn! he shows an earnest and devotional spirit, hopeful in its

views of the destiny of the race, but too broad for cir

The fisherman in his boat, far out beyond the head- cumscription in any sectarian creed. As a ballad-writer he is eminently successful-simple, graceful, interesting, land, and never prolix. His "Witch of Wenham" may be inListens, and leisurely rows ashore, O Bells of Lyun! stanced as a singularly beautiful specimen in this depart

Over the shining sands the wandering cattle homeward

Follow each other at your call, O Bells of Lynn!

The distant light-house hears, and with his flaming
signal,

Answers you, passing the watchword on, O Bells of
Lynn!

And down the darkening coast run the tumultuous

surges,

And clap their hands, and shout to you, O Bells of
Lynn!

Till from the shuddering sea, with your wild incantations,

ment of verse. Among the tributes sent to him on his
seventieth birthday was the following little poem by
Lydia Maria (Francis) Child, born in Medford, Mass., in
1802, and the author of "The Progress of Religious
Ideas," and other approved works, as well as of some
admirable poems for the young:

"I thank thee, friend, for words of cheer,
That made the path of duty clear,
When thou and I were young, and strong
To wrestle with a mighty wrong.

And now, when lengthening shadows come,
And this world's work is nearly doue,

I thank thee for thy genial ray,

That prophesies a brighter day,

When we can work, with strength renewed,

In clearer light, for surer good.

God bless thee, friend, and give thee peace,
Till thy fervent spirit finds release!
And may we meet in worlds afar,
My Morning and my Evening Star!"

Whittier has resided the greater part of his life at Ye summon up the spectral moon, O Bells of Lynn! Amesbury, Mass. He has never been married, and his life

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