INDEX TO INTRODUCTION AND NOTES.
Abbott, Dr., Shakespearean Gram-
mar, 229, 232, et passim.
Abdelazer, 282.
Ælian, 261.
Age of repression, The, lxiii.
Aglaura, 251.
Albion's Triumph, 239.
Amorous War, The, 263.
Anacreon, 276, 281.
Anglican Catholic approval of art,
xlv, liii.
Anne, Queen, xxxiii, lx, 281, 286.
Arber, Professor, ed. of Putten-
ham, xxvii; of Castara, 240;
English Garner, 235, 241, 260.
Arcades, 242, 246; quoted, xvii.
Arcadian Princess, The, 247.
Argonautica, 235.
Arnold, Matthew, lxii.
Art and Morals, Divorce of, ix-xi.
Ashton's Social Life in the Reign
of Queen Anne, 281.
Bacon, Lord, xxvii, xliii, 241, 250.
Bagehot, Walter, xi.
Barnes, Barnabe, xlvii.
Beaumont, Francis, 247, 268, 277.
Beaumont, Sir John, xii.
Bede, xlii.
Behn, Aphara, lxviii, 282, 284.
Beloe's Anecdotes of Literature,
267.
Biblical paraphrases in verse, xlvii.
Biographica Britannica, 230.
Blackmore, Sir Richard, liv.
Brand's Popular Antiquities, 234,
237, 255, 268.
Brathwaite, Richard, 238.
Breton, Nicholas, xlvii, 271.
Britannia's Pastorals, 243~
Broken Heart, The, 233.
Brome, Alexander, lix, 257, 265,
278, 279.
Brome, Richard, xx, 238, 259.
Browne, William, xvi, 243, 244,
Browning, Robert, lvii.
Bryant, William Cullen, lxiv.
Buckhurst, Lord, xxii.
Bullen, Mr., More Lyrics, 230;
238, 239, 247; Musa Proterva,
260, 277, 284; ed. of Davison's
Poetical Rhapsody, 266; 274,
278, 280.
Bunyan, John, lviii.
Burnet, Bishop, quoted, 280.
Burney's History of Music, 285.
Burns, 253.
Butler, Samuel, 282.
Campbell, Thomas, 248, 278.
Campion, Thomas, xlii, 233, 244,
Careless Shepherdess, The, 233,
265.
Carew, Thomas, xi; quoted, xii,
xxxiv; xiii, xv, xxii, xxiii, xxvii,
xxxiii; contrasted with Herrick,
xxxiv-xlii; his religious lyrics,
xxxiv ; occasional verse, xxxv;
a poet of the court, xxxvi; re-
served temper, xxxvii; vers de
société, xxxix; his trochaic octo-
syllabics, xlii; xlv, lii, lxiv, lxv,
lxvii; authorship confused with
Shirley, 231, 232; 235, 236, 240,
241, 246, 249, 252, 253, 260,
262, 266, 267, 279.
Carey, Lucius, Lord Falkland,
xxi, xxiii.
Carlyle, Thomas, lxiii.
Carmen Deo Nostro, 268.
Cartwright, William, xxii, xxiii,
xxxiii, lv, lix, lxv, 249, 257, 266,
280.
Castara, xxii, 1, 240.
Catullus, xiii, 234.
Celestina, 239.
Chalmers's English Poets, 265, 273,
276, 279.
Charles I, xiv, xv, et passim.
Charles II, lviii, lxii, et passim.
Cheerful Airs and Ballads, 235.
Child, Dr. Clarence G., xxvii,
xxviii.
Child, Professor F. J., English and
Scottish Popular Ballads, 229.
Cicero, 248.
Classicism, x, xviii, xix, lx-lxiii;
assimilative, empirical, and re-
strictive, xxxiii; of Carew and
Herrick, xxxv; theories as to
the origin of, lx.
Claudian, 251.
Cleodora, 256.
Cleomenes, 285.
Clieveland, John, xxii; quoted,
xxix, xli; lix.
Coleridge, Samuel Taylor, 276.
Collection of Poems, A, Lans-
downe, 286.
Collier, J. P., 246.
Comedies,
Tragi-Comedies, and
Other Poems, Cartwright, 257.
Comus, xvii, 243, 244, 246, 271.
Conceit, The Seventeenth Century
fondness for, xxvii; early use
by Sidney, xxviii; illustrations
of, xxix, xxxiii, xli; varieties of,
xxix; not wholly referable to
Donne, xxx; Donne's use of,
and Crashaw's distinguished,
xxx, xxxiii; Cowley's use of,
xxxiii, lxiv, 231, 237, 260, 263.
Congreve, William, quoted, lxviii ;
286.
Conservative reaction in literature,
lx; its value and meaning, lxiii ;
lxv.
Constable, Henry, xlvii.
Contention of Ajax and Ulysses,
Corbet, Richard, 277.
Cota, Rodrigo, 239.
Cotton, Charles, xv, xl, lix; his
debt to Carew and Walton, Ixiv;
231, 251, 275, 276, 279, 283.
Cowley, Abraham, xxiii, xxv, xxvi,
xxvii-xxix; quoted, xxxiii; lii,
liv; long career, lx; great re-
pute, lxiv; eclecticism, ib.; rela-
tion to Donne, ib.; lxv, 231,
247, 250, 251, 265, 276, 283.
Crashaw, Richard, xv; quoted,
xxxi; his use of conceit con-
trasted with Donne's, xxxi-
xxxiii; xlv, xlvii; at Cambridge,
li; artistic and devotional tem-
per, ib.; goes over to Rome, lii;
rhapsodic nature of his poetry,
ib., liii; liv, lvii, lx, lxv, 237, 250,
258, 259, 261, 263, 268, 269, 279.
Criticism, Eighteenth Century, of
conceit, xxiv.
Cromwell, Oliver, 272-274.
Cupid and Death, 274.
Darwin, Erasmus, 231.
Davenant, Sir William, xxiii,
xxxiii, xxxvi, lxiv, 246, 262, 279,
282.
Dekker, Thomas, xx, xxiii, 229,
230.
Delights of the Muses, The, li, 263.
Denham, Sir John, lxiv.
De Quincey, Thomas, quoted, xiii ;
xxvii, xxxiii.
Donne, John, xi, xv; character of
his poetry, xix, xxiii; xxii; his
imitators, xxiii; xxiv, xxv; con-
tempt for form, xxiv; his satires,
xxvi; xxvii; quoted, xxx; use
of conceit, xxx, xxxi ; contrasted
with Crashaw, xxxii; xxxiv-
xxxvi, lvii, lxv, lxvi, 231, 232,
235, 237, 240, 241, 251, 257, 258,
262, 263, 265-267, 277.
Dorset, Earl of, xxii, xxv, lxviii,
280, 282.
Dowden, Professor, 231.
Drayton, Michael, xvi, lxv, 232,
244, 245, 247, 252, 261.
Drummond, William, lxvii, 244.
Drury, Mr., his ed. of Waller,
quoted, 247, 248, 284; 264, 265;
his life of Katherine Philips,
quoted, 280.
Dryden, John, xiii; quoted, xxv,
xxvi, xxix; xxvii; practice of
devotional poetry, liv; range of
subject contrasted with Jonson
and Pope, lxi; follows Jonson
in the employment of occasional
verse, satire, and criticism, ib.;
his lyrics, ib., lxii, lxviii; lxiv-
lxvi, 231, 242, 249, 271, 280–283,
285, 286.
Duke of Guise, The, 283.
D'Urfey, Tom, xx, 285.
Dyce, A., ed. of Shirley, 232, 236.
Egerton MS., 235.
Elizabethan literature, Nature of,
ix; contrasted with Seventeenth
Century literature, ix, x.
Elizabethan Lyrics, A Book of, ix,
229, 233, 240, 247, 256, 260, 279.
Elizabeth, Queen, ix, xiv, et passim.
Emblems Divine and Moral, xlix,
248, 249, 258.
Emperor of the East, The, 238.
English Gentlewoman, The, 238.
Etheridge, Sir George, 280.
Euripides, 261, 277.
Evelyn, John, 282.
Evening's Love, An, 281.
Faery Queen, The, xviii, 243, 245,
246, 285.
Fairfax, Edward, lxv, lxvii, 274.
Fairfax, Lord, 270, 273.
Faithful Shepherdess, The, 243,
Father's Testament, A, 269.
Fenton's Waller, 230, 231, 248, 265.
Ferrar, Nicholas, xlvi, li, 241.
Flatman, Thomas, lxvii, 277, 278.
Fleay, Mr. F. G., 229, 230, 256.
Fletcher, Dr. Giles, xvi, 269.
Fletcher, Dr. Joseph, 269.
Fletcher, Giles, the younger, 269.
Fletcher, John, xx, 238, 243, 245,
253, 268, 269.
Fletcher, Phineas, xvi, 269.
Ford, John, xx, xxii, 229, 230, 232,
233.
Forde, Thomas, 268.
Fragmenta Aurea, 260.
Gascoigne, George, quoted, xxviii;
xliii.
Gifford's Shirley, 232.
Goffe, Thomas, xx, 233, 265.
Gosse, Mr., From Shakespeare to
Pope, lx, lxiv, 230, 248, 265;
239, 265; Eighteenth Century
Literature, lx, lxiv, lxvi.
Graham, James. See Montrose.
Granville, George. See Lans-
downe.
Gray, Thomas, 237.
Greene, Robert, xxiii, 252, 268,
271.
Grosart, Dr., his ed. of Herrick,
xxii, xxxv, 234, 254; of Herbert,
liii; Vaughan, lv, 270, 275;
Sylvester, 241; Cowley, 247,
251; Quarles, 248, 249; Greene,
252; Crashaw, 259, 262; Fuller
Worthies' Miscellanies, 260,
283; Marvell, 271; 276.
Habington, William, xxii, xxiii, 1,
lviii, 239, 240.
Hale, Professor E. E., Jr., his ed. of
Herrick, lv, 233-235, 252, 254,
256, 261, 263.
Haleluiah, 256.
Hales, Professor, xxv.
Hallam, Henry, 277.
Hannah, Dr., ed. of Raleigh, 260;
Courtly Poets, 268.
Harrington, Henry, 277.
Hausted, Peter, 239.
Hawkins's History of Music, 243.
Hazlitt, Mr. W. C., ed. of Carew,
xxii, 232, 246, 253; Herrick,
235; Randolph, 247.
Hazlitt, William, xiii.
Henrietta Maria, Queen, 231, 250,
258.
Herbert, George, xv, xxiii, xxxiii,
xlv; delivery of his Temple,
xlvi; xlvii; his popularity, 1; li;
purity of spirit, Puritanism and
self-restraint, lii; contrasted with
Crashaw, ib.; quoted, liii; 241,
242, 262, 269.
Herrick, Robert, xi, xiii, xv, xxii;
quoted, xxiii, xxxvii, xl, xli;
contrasted with Carew, xxxiv-
xlii; his religious lyrics, xxxiv,
xlv, liii; love of nature, xxxv,
xxxvi; occasional verse, xxxvi;
Hedonism, xxxviii; constructive
excellence, xlii; metrical invent-
iveness, ib.; lii, lvi, 233, 234,
235, 240, 247, 252, 254, 255, 258,
261, 264, 268, 270, 279.
Hesiod, 244.
Hesperides, 233, 252, 254, 264, 268
xi, xxxvi.
Heywood, Thomas, xxiii.
Hilton, John, 235.
Holburn Drollery, 253.
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