The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 sidor |
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Sida 26
... beauty may be heightened and brought out into strong relief , —if he will practise himself with such an instructor , on such models , disciplining his ear , his action , and his voice , he may hope to attain a style of Composition ...
... beauty may be heightened and brought out into strong relief , —if he will practise himself with such an instructor , on such models , disciplining his ear , his action , and his voice , he may hope to attain a style of Composition ...
Sida 71
... beauty- At an immature age the sense of beauty is weak and confused and re- quires an excess of coloring to catch the attention- It then prefers extravagance and rantˇ to justness a gross false wit to the engaging light of nature and ...
... beauty- At an immature age the sense of beauty is weak and confused and re- quires an excess of coloring to catch the attention- It then prefers extravagance and rantˇ to justness a gross false wit to the engaging light of nature and ...
Sida 72
... beauty and un- affected grandeur | The progress of the fine arts in the human mindˇ may be fixed at three remarkable degrees from their foundation to the loftiest height- The basis is a sense of beauty and of the sublime the second step ...
... beauty and un- affected grandeur | The progress of the fine arts in the human mindˇ may be fixed at three remarkable degrees from their foundation to the loftiest height- The basis is a sense of beauty and of the sublime the second step ...
Sida 73
... beauty and grandeur- It may seem a paradox- and yet I am firmly per- suaded that it would be easier at this day to give a good taste to the young savages of America than to the noble youth of Europe | Genius the pride of man as man is ...
... beauty and grandeur- It may seem a paradox- and yet I am firmly per- suaded that it would be easier at this day to give a good taste to the young savages of America than to the noble youth of Europe | Genius the pride of man as man is ...
Sida 87
... beauty in elocution to mark them by the pulsation and remission of the voice , on the heavy and light syllables respectively , and by a due observance of time or measure . Take , as an example , the following , by Dr. John- son , in ...
... beauty in elocution to mark them by the pulsation and remission of the voice , on the heavy and light syllables respectively , and by a due observance of time or measure . Take , as an example , the following , by Dr. John- son , in ...
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The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Obegränsad förhandsgranskning - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Obegränsad förhandsgranskning - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Ingen förhandsgranskning - 2015 |
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accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Populära avsnitt
Sida 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Sida 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Sida 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Sida 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Sida 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Sida 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Sida 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Sida 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Sida 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Sida 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...