Ger. Only thus far: Your husband's old; to whom my soul does wish Men cannot always live, especially Such as are old and crazed ;) he be call'd hence, And we two be reserv❜d to after life; Will you confer your widow-hood on me? Alone instates me happy: now, so please you, Wife. You are now my brother; But then, my second husband. [They part. Young Geraldine absents himself from the House of Mr. Wincott longer than is usual to him. The old Gentleman sends for him, to find out the reason.-He pleads his Father's commands. Wincott. Geraldine. Ger. With due acknowledgment You have been my second father, and your wife Win. What might then be The cause of this constraint, in thus absenting Ger. Out of many, I will propose some few: the care I have Of your (as yet unblemished) renown ; Win. How can these Bad tongues have been too busy with us all; Win. And I of all acquit you this your absence, In your behalf. Had such things pass'd betwixt you, Not Not threats nor chidings could have driv'n you hence; Ger. Pray, pardon, sir. Win. You are in your lodging. Ger. But my father's charge. Win. My conjuration shall dispense with that; You may be up as early as you please, But hence to-night you shall not. Ger. You are powerful. Traveller's Stories. Sir, my husband Hath took much pleasure in your strange discourse And what more pleasure to an old man's ear, Shipwreck by Drink. This Gentleman and I Past but just now by your next neighbour's house, Where Where, as they say, dwells one young Lionel, Was a great feast. In the height of their carousing, all their brains ; A third takes the base-viol for the cock-boat, Still fumbling on a gittern. The rude multitude, Cast from the windows, went by th' ears about it; Which done, and hearing such a noise within Of eminent ship-wreck, enters th' house, and finds them In this confusion: they adore his Staff, And And think it Neptune's Trident; and that he 45 This piece of pleasant exaggeration (which for its life and humour might have been told, or acted, by Petruchio himself) gave rise to the title of Cowley's Latin Play, Naufragium Joculare, and furnished the idea of the best scene in it.-Heywood's Preface to this Play is interesting, as it shews the heroic indifference about posterity, which some of these great writers seem to have felt. There is a magnanimity in Authorship as in every thing else. "If Reader thou hast of this play been an Auditor, there is less apology to be used by intreating thy patience. This Tragi-comedy (being 1 reserved amongst 220 in which I had either an entire hand or at the least a main finger) coming accidentally to the press, and I having intelligence thereof, thought it not fit that it should pass as filius populi, a Bastard without a father to acknowledge it: true it is that my plays are not exposed to the world in volumes, to bear the title of works (as others *) one reason is that many of them by shifting and change of companies, have been negligently lost. Others of them are still retained in the hands of some actors, who think it against their peculiar profit to have them come in print, and a third that it never was any great ambition in me to be in this kind voluminously read. All that I have further to say at this time is only this: censure I entreat as favourably as it is exposed to thy view freely. Ever Studious of thy Pleasure and Profit Of the 220 pieces which he here speaks of having been concerned in, only 25, as enumerated by Dodsley, have come down to us, for the reasons assigned in the preface. The rest have perished, exposed to the casualties of a theatre. Heywood's ambition seems to have been confined to the pleasure of hearing the Players speak his lines while he lived. It does not appear that he ever contemplated the possibility of being read by after ages. What a slender pittance of fame was motive sufficient to the production of such Plays as the English Traveller, the Challenge for Beauty, and the Woman Killed with Kindness! Posterity is bound to take care that a Writer loses nothing by such a noble modesty. * He seems to glance at Ben Jonson. THE |