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My hertly love is in your governās,
And ever shal whill that I live may.
I pray to God I may see that day
That we be knyt with trouthful alyans.
Ye shal not fynd feyning or variauns
As in my part; that wyl I truly say.
My hertly, &c.

Bewere, my trewe innocent hert,
How ye hold with her aliauns,
That somtym with word of plesuns
Desceyved you under covert.

Thynke how the stroke of love comsmert
Without warnyng or deffiauns.
Bewere my, &c.

And ye shall pryvely or appert
See her by me in loves dauns,
With her faire femenyn contenauns
Ye shall never fro her astert 3.
Bewere my, &c.

Before concluding this article, we are tempted to introduce two or three other pieces from the MS. printed by Mr. Watson

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Mi verry lady and ful maystres,

In hir he shall se gret larges

Of plesaunt, spryngyng from gret to more goodly.

Hir speche is such, and hir demene trewly,

That hit would bringe any hert unto gladnes,
Whoso biholdith with mi eye

Mi verry lady and ful maystres.

For yong and oold that loketh here wisly

To preysen hir hardily they nevir cesse,

But sayne echon that hit is a goddes,

Which is descended down from heven on hy.

Whoso biholdith, &c.—f. 65.

Of the following, the French originals have not been dis

covered:

O fayre madame, all though that there be noon

That for him silf kan speke so yvil as y,

Yet nevyrtheless, but ye had cause of whi,
Make me not lest of every othir on:

1 "Query, for can smart, or comes smart.”

"Prive and apert is in Chaucer, Cant. T. 6696: In private and in public. Tyrwhitt's Glossary."

3 Astert. Chaucer, Cant. T. 1597, 6550. To escape. Tyrwhitt's Glossary."

And, al be that y make a rewdisshe mon,
Bithynke my trouth, lete me not dy,

O fayre madame, all though that there be noon
That for him silf kan speke so yvil as y.
For voyde stonde y of hope, save you alon,
Of whiche me seem ye sett but litil by,
Alas! the deth gef that y ben worthi,
Then do me so that y were goon.
O fayre madame, &c. f. 97.

Madame, y wold bi God alone,

How that my hert were in yowre sleve;
For, in good trouth, ye wol not leve1
How fayne he wold fro me bigoon :
So take it now anoon,

For freely him y to yow geve;
Madame, y wold bi God alone,
How that my hert were in youre sleve,
For he and y are comen foon,
A doth to me so gret a greef,
That but ye lust me to myschef,
So take him, or sle me, the toon".
Madame, y wold, &c. f. 89.

My gostly fadir, y me confesse
First to God and then to yow,
That at a window, wot ye how,
I stale a cosse1 of gret swetnes,
Which don was out avisynes ;
But hit is doon, not undoon now:
My gostly fadir, y me confesse,
First to God and then to yow.
But y restore it shall dowtless
Ageyn, if so be that y mow;
And that God y make a vow,
And ellis y axe forgefnes.
My gostly fadir, &c.-f. 88.

Wherefore, wherfore make three nayes, whi?
Methinke they nede not spoken ben so oft,
If in yoursilf that ye were wele bithought;
What cause se ye to say nay? fy, fy, fy,,
Remember yow also, am y not y,

That dare not doon but as ye hav me taught?
Wherfore, wherfore make three nayes, whi?
Methynke they nede not spoken ben so oft.
For and so be that y do ungoodly

I Believe.

2 Foes.

3 One or the other,

4 Kiss.

5 May.

As aftirmore, then loke ye love me nought,
And levir nad y ben to lyf ywrought,

But rathir lo yis selven houre to die.
Wherfore, wherfore, &c.-f. 93.

It may perhaps be useful to observe, that the only copy of the "Poésies" of Charles d'Orleans ever published, is a small octavo, printed at Paris in 1809, from a MS. in the library at Grenoble. The Abbé Sallier, in his notice of the duke1, mentions another MS. of his poems, which came into the Bibliothéque du Roi with many other MSS. of the Comte de Seignelay, grandson of the great Colbert, and which formerly belonged to Katherine de Medicis. He states, that it consists of fifty-two balades, seven complaintes, one hundred and thirty-one chansons, and about four hundred rondels. The printed volume contains only two hundred and nine poems; so that, according to the Abbé's account, it is very imperfect. The splendid MS. of Orleans's works in the British Museum contains only one hundred and fifty-two poems, of which fourteen do not occur in the printed copy; namely, ten in French, three in English, and one in Latin, entitled "Canticum seu Prosa;" whilst the contemporary English translation, in the Harleian Collection, consists of two hundred and nine pieces, of which the French originals of only one hundred and twenty appear in the volume printed at Paris. It is most probable, however, that the originals of all the English poems in that manuscript exist in the manuscript in the Bibliotheque du Roi, spoken of by the Abbé Sallier; and it is not a little extraordinary, that a perfect edition of the works of a member of the royal family of France should not long since have appeared, not merely because of his rank, but from the plaintive beauty and poetical merit which characterize so many of his productions. It is important to add, that the contemporary English translations are of considerable value; for, by comparing them with the originals, many obscure words in Chaucer, Lydgate, Gower, and our other early English writers, may be elucidated : hence, we the more lament the feeling which induces an individual, or an association of individuals, rich enough to print a relic of this nature, to confine it to ten or twenty persons. Avarice is at all times contemptible; but literary avarice-the wish to confine knowledge of any kind to a very limited circle; the disposition which makes men hoard up information from the world at large-will, at all times, meet, at our hands, with the exposure and ridicule which such sentiments deserve. Thus it is, that even our great respect for many of the members of the "Roxburghe Club" does not prevent us from censuring the prin

1 Mémoires de l'Académie des Inscriptions, tome xiii. p. 580. 2 Royal MSS. 16 F. 2.

3 No. 682.

ciple upon which it was founded and acts. Few objects would be more worthy of praise than a body of literary men joining their purses and talents for the dissemination of valuable neglected literature, by printing impressions accessible to those who are interested in the subject; but the very reverse has hitherto been the conduct of this society of bibliomaniacs. Opportunities are, however, given them of redeeming their character as literary men, by acting in a manner consistent with common sense and the age in which we live; and we therefore hope that, if they ever again print a volume worthy of attention, it will be with more enlarged views: with a more generous object, both towards the author and the public.

There are other MSS. in the British Museum which contain imperfect copies of some of Charles d'Orleans's poems; namely, the Lansdown MS. 380, and the Harleian MS. 6916; but the productions of other writers are introduced among them.

SOCIETY OF ANTIQUARIES.

IT must be obvious that a Society incorporated" for the study of Antiquity and the History of former times," must have peculiar and irresistible claims upon the attention of this work; and whatever may be our reluctance to enter upon a subject which almost every other periodical publication has treated with silent contempt, the objects which it professes to have in view, impel us to take it under our especial surveillance. We shall, therefore, from time to time, carefully report its proceedings; review its labours; analyze the pretensions of its officers to their situations; and especially state those pre-eminent historical and antiquarian attainments to which such members as may be selected for its council will be indebted for the honour conferred upon them. In a word, we purpose becoming the "Historians of the Society of Antiquaries ;" and at the same time that we shall remember that, to give a plain statement of such transactions as may occur will be one part of the duties we have undertaken, we shall bear in mind that it will be no less our province to scrutinize into the motives, and canvass the merits, of every change which may be proposed in its statutes, as well as of every act of its council. In the exe cution of this task, we shall be guided by no invidious or petty feelings. We, of course, are indifferent alike to the smiles or the frowns of the little senate or its doge; and whilst the humble tribute of our applause will never be wanting when it is deserved, we shall not be deterred from exposing every abuse which exists: nor shall we hesitate to point out

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whatever may appear to us likely to conduce to, or detract from, its reputation.

The Society of Antiquaries contains almost every distinguished writer on history and antiquities; and so far it is entitled to, and receives, our respect. But that respect, and, we may with great truth say, the respect of the public, is lessened by the disgraceful system of exclusion which has long marked the conduct of its chief officers, in selecting their own personal friends for the council, and passing over men whose talents are fully appreciated by the world; by the frivolous nature of many of its publications; and by the manner in which it is conducted. We are, however, unwilling to trust ourselves further with the expression of our opinion of the present state of that body; for, as it is our most earnest wish to raise it in the public esteem, we naturally shrink from alluding more fully to the disrepute in which, we lament to say, it is deservedly held. As the zealous friends of the Society; as the admirers of the works, the learning, and the characters, of many of its Fellows; and, still more, as the co-adjutors of those Fellows in the researches by which they have attained a well merited eminence, we would, if it were in our power, adduce the benefits which, as a body, it has rendered to historical and antiquarian literature; and thus not only silence contumelious remarks, but demand universal homage to its services.

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Unfortunately, however, we have no such panoply against the scoffs and jeers which are continually bestowed upon the Society of Antiquaries; and, to confess the truth, we are afraid its proceedings have tended to render the name of an antiquary almost synonymous with Boeotian dulness; a dulness, indeed, which has been hitherto equally impenetrable to the remonstrances of wisdom and the sarcasms of wit*. The best passports to public esteem which a literary institution can possess, are the indisputable merits of the individuals placed at its head; the talent and learning manifested in its publications; and the zeal with which it encourages every effort to promote the objects for which it was incorporated. But for what literary merits are the majority of the present officers and council of the Society distinguished? Where are the works which ought to secure respect to it? Where are the proofs that it has illustrated the national annals, or made us acquainted with the manners, the customs, and the characters of our ancestors?

* We allude to a very witty imitation of the proceedings at the meetings of the Society, which appeared in a satirical publication entitled The Scourge ;" and to some very just remarks on the manner in which it was conducted, which have at different times appeared in the Gentleman's Magazine, many of which were written by the late Mr. Gough.

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