Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volym 28Gale Research Company, 1984 |
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... nature is like her appearance , Cloten , her son , believes that appearances determine nature . Thus , the famous scene where he speaks about the power of gold ( II.iii.63-76 ) only appears to contradict his character ; in reality , it ...
... nature is like her appearance , Cloten , her son , believes that appearances determine nature . Thus , the famous scene where he speaks about the power of gold ( II.iii.63-76 ) only appears to contradict his character ; in reality , it ...
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... nature 4 : 402 , 406 , 421 , 440 , 457 , 470 , 582 , 587 ; 25 : 189 spiritual nature of her love 4 : 462 , 530 , 559 staging of her bed 11 : 354 , 359 ; 13 : 327 dramatic structure 4 : 370 , 390 , 399 , 427 , 488 , 506 , 517 , 569 ; 22 ...
... nature 4 : 402 , 406 , 421 , 440 , 457 , 470 , 582 , 587 ; 25 : 189 spiritual nature of her love 4 : 462 , 530 , 559 staging of her bed 11 : 354 , 359 ; 13 : 327 dramatic structure 4 : 370 , 390 , 399 , 427 , 488 , 506 , 517 , 569 ; 22 ...
Sida 437
... nature , theme of 8 : 396 , 404 autobiographical elements 8 : 302 , 308 , 312 , 324 , 326 , 345 , 348 , 353 , 364 , 380 Caliban 8 : 286 , 287 , 289 , 292 , 294 , 295 , 297 , 302 , 304 , 307 , 309 , 315 , 326 , 328 , 336 , 353 , 364 ...
... nature , theme of 8 : 396 , 404 autobiographical elements 8 : 302 , 308 , 312 , 324 , 326 , 345 , 348 , 353 , 364 , 380 Caliban 8 : 286 , 287 , 289 , 292 , 294 , 295 , 297 , 302 , 304 , 307 , 309 , 315 , 326 , 328 , 336 , 353 , 364 ...
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Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York