Bulletin, Volym 35The Museum, 1963 |
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animal Arch binome bronze Ch'ang-sha Hu fig ch'en ch'ou Ch'u Chang Ping-lin Chao chê chï Chinese Chou Chouli cognate defined Erya guttural consonant Han school HCSPP hia phr hien homophonous Honan Hs series Hsiung-nu Hu-chia Shih-pa P'ai hüe pao huei Hunan Juei-ch'en Kt for chï Kt for fu Kuan Lo-yang Lu Tê-ming Ming Nanking neolithic P'an Pazyryk phonetic piwo Plausible pre-Han texts Refuted in Gloss Reject rime says Cheng Hüan says Chu Tsün-sheng says Kuo Mo-jo says Ma Sü-lun says Tuan Yü-ts'ai says Wang says Yü Sing-wu says Yü Yüe sense Shang sheng shï phr Shou-hien Shuowen Siang Sü-lun on Chuang Sün Sun Yi-jang T'ien text version tieg Ts'ai Wên Ts'ao Ts'i tsï Tsün-sheng on Ode type specimen Unnecessary Wang Nien-sun Wang Yin-chï Wên Chi word stem xiap Yang Liang Yüan yurt
Populära avsnitt
Sida 156 - The Altai before the Turks. Bulletin of the Museum of Far Eastern Antiquities Stockholm 23, 1951, S.
Sida 1 - ... interpretations by sound similarity" and interpretations by *) Thus, for instance, HA Giles, Chinese Biographical Dictionary under Wang Ym-chih says: "He and his father Wang Nien-sun are notable for having recognized the frequent use in the Classics and ancient writings of characters employed for others on the strength of similarity of sound".
Sida 138 - Hunting magic in the animal style, Bulletin of the Museum of Far Eastern Antiquities, 4 (1932).
Sida 156 - Some Classical and Near Eastern Motifs in the Art of Pazyryk' Artibus Asiae, 22 (1959), pp.
Sida 68 - Oh, you, young man, may you (bring to an end = ) achieve (the work).
Sida 151 - A List of Published Translations from Chinese into English, French, and German, Part II: Poetry.
Sida 85 - raft', for which a. is Kt. 313. fu (piunt a) 'not' Kt for fu, fei (p'iwzt, prwád b) 'to expel noxious influences' says Cheng Hiian on Ode 245 phr. c.: "(in order to eliminate her having no child =) that she might no longer be childless".
Sida 141 - The Pazyryk felt screen and the 'barbarian captivity of Ts'ai Wen Chi,'" Bulletin of the Museum of Far Eastern Antiquities 35 (1963), l^l-160, 10 p1.
Sida 135 - ... the Late Shang period that the Shang animal style bloomed with full maturity. THE COMPOSITE ANIMAL STYLE At the height of the development of Shang animal art, there arose a new style which may be described as the composite animal. In the earlier stages, the animals, large or small, ferocious or tame, were represented in their natural shapes, with a tendency to use as many animal forms as possible in one composition and with each form adapted to take the space allocated to it. But soon composite...
Sida 7 - Shuo wen kie tsii — it is an axiom in Chinese philology that Hii was infallible: if he says that X is Phonetic in Y, it simply is, there can be no discussion about it. Hii, however, living in the 1st century of our era, could know little of the phonology a thousand years earlier, and quite often, though he was a great genius and his work a monumentum acre perennius, he made serious mistakes.