Battles of Songs: Udje Tradition of the UrhoboMalthouse Press Limited, 2005 - 241 sidor This is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida 13
... dance forms came into being . " 14 Other distinctive features of Udje are its dance steps as well as style of drumming . Clark ( 1965 : 283 ) has observed that while it is possible to identify dance and drumming styles that tend to fall ...
... dance forms came into being . " 14 Other distinctive features of Udje are its dance steps as well as style of drumming . Clark ( 1965 : 283 ) has observed that while it is possible to identify dance and drumming styles that tend to fall ...
Sida 55
... dance band performances . However , each Udje artist was expected to appear in a high - quality loincloth covering the waist downwards . All males exposed the upper part of their bodies . In most Urhobo dances a lot of emphasis is laid ...
... dance band performances . However , each Udje artist was expected to appear in a high - quality loincloth covering the waist downwards . All males exposed the upper part of their bodies . In most Urhobo dances a lot of emphasis is laid ...
Sida 60
... dance accompaniment for as many times as was desirable . Finally , the singing gave way to drumming and vigorous dancing . This scene would be brought to a close with a loud , declamatory ovation of : iiiii ijeeeee ! Sequence VI : Ile ...
... dance accompaniment for as many times as was desirable . Finally , the singing gave way to drumming and vigorous dancing . This scene would be brought to a close with a loud , declamatory ovation of : iiiii ijeeeee ! Sequence VI : Ile ...
Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa University Urhobo vwen ward wife