Battles of Songs: Udje Tradition of the UrhoboMalthouse Press Limited, 2005 - 241 sidor This is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida xiv
... expression occurring in the original language . One way this difficulty is often overcome is to append explanatory notes to the expressions in question . Except in the texts analysed in Chapter 5 , I have found it expedient to leave out ...
... expression occurring in the original language . One way this difficulty is often overcome is to append explanatory notes to the expressions in question . Except in the texts analysed in Chapter 5 , I have found it expedient to leave out ...
Sida 19
... expression of injury and anger , otewarien encourages and produces bitterness ( ivunghwievwe ) . Indeed , the efficacy of otewarien is measured by how much anger or discomfort it is capable of provoking in the target . While no direct ...
... expression of injury and anger , otewarien encourages and produces bitterness ( ivunghwievwe ) . Indeed , the efficacy of otewarien is measured by how much anger or discomfort it is capable of provoking in the target . While no direct ...
Sida 48
... expressions . He would then use some of them at informal group conversations . The way people reacted to his speech would guide him in the choice of which expressions to use in the final version of the song . A song - maker engaged in ...
... expressions . He would then use some of them at informal group conversations . The way people reacted to his speech would guide him in the choice of which expressions to use in the final version of the song . A song - maker engaged in ...
Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa University Urhobo vwen ward wife