Battles of Songs: Udje Tradition of the UrhoboMalthouse Press Limited, 2005 - 241 sidor This is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida xiii
... line . In transcribing the songs I applied the principle of breath - pause to delimit lines , and whenever this was found inadequate I relied on the semantic structure of the utterances . The breath - pause method usually encounters ...
... line . In transcribing the songs I applied the principle of breath - pause to delimit lines , and whenever this was found inadequate I relied on the semantic structure of the utterances . The breath - pause method usually encounters ...
Sida xiv
... line may be too few to fulfil the metrical requirement of the music . If the line contains one multi - syllabic word ... lines 9 and 10 of Ighokohwiroro ( A , 13 ) . The four - word line , Me ra vwaro te , is too short for the section ...
... line may be too few to fulfil the metrical requirement of the music . If the line contains one multi - syllabic word ... lines 9 and 10 of Ighokohwiroro ( A , 13 ) . The four - word line , Me ra vwaro te , is too short for the section ...
Sida 65
... lines to a hundred or more lines . In other song - poetry genres , a song extending to fifty lines cannot be regarded as an ule okrekre . Besides the formal distinctions of length and structural organisation , each of the Udje song ...
... lines to a hundred or more lines . In other song - poetry genres , a song extending to fifty lines cannot be regarded as an ule okrekre . Besides the formal distinctions of length and structural organisation , each of the Udje song ...
Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa University Urhobo vwen ward wife