Battles of Songs: Udje Tradition of the UrhoboMalthouse Press Limited, 2005 - 241 sidor This is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida 12
... piece is believed to have been composed when the ritual ceremony for which it is performed was first practised . For this reason , the more archaic and obscure the piece , the more reverence it evokes in the minds of the religious ...
... piece is believed to have been composed when the ritual ceremony for which it is performed was first practised . For this reason , the more archaic and obscure the piece , the more reverence it evokes in the minds of the religious ...
Sida 49
... piece was subjected to comments and rigorous criticism . In the process any section of a song considered unsatisfactory was either reconstructed by the specialists in session or removed from the song . Sometimes the author was advised ...
... piece was subjected to comments and rigorous criticism . In the process any section of a song considered unsatisfactory was either reconstructed by the specialists in session or removed from the song . Sometimes the author was advised ...
Sida 99
... piece to its corpus at the night performance of January 26 , 1979. When asked to comment on this state of apparent inertia , most people admitted that the participants were too busy making a living to create and rehearse new songs ...
... piece to its corpus at the night performance of January 26 , 1979. When asked to comment on this state of apparent inertia , most people admitted that the participants were too busy making a living to create and rehearse new songs ...
Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa University Urhobo vwen ward wife