Battles of Songs: Udje Tradition of the UrhoboMalthouse Press Limited, 2005 - 241 sidor This is a study of the principal aspects of the Udje tradition ? poetry, dance and music ? of the Udu and Aghievwen divisions of the Urhobo of Delta State, Nigeria. It defines the territorial scope of the study, surveys Udu and Ughievwen social history, and situates Udje within the context of the Urhobo song-poetry tradition; reviews the theoretical perspectives on the practice of satire in the Udje dance-songs, and considers the conceptual views of some Udje practitioners of Udje, both as a literary art and as a medium for social reform; and attempts to classify and describe Udje songs. The concluding chapters consider the decline of the Udje tradition and the satirical song-poetry tradition in Urhobo, reviewing how post 1960s trends are likely to affect the artistic integrity of Udje in the future. |
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Sida 17
... practice carries the implication that the public exposure or censure helps to check those given to anti - social behaviour and mischief . No doubt , the mechanics used in purification rites are different from those employed in the art ...
... practice carries the implication that the public exposure or censure helps to check those given to anti - social behaviour and mischief . No doubt , the mechanics used in purification rites are different from those employed in the art ...
Sida 18
... practice put a premium on the power of the word to harm , and consequently , it is exploited for that purpose . But among the Urhobo , curse and satirical statements belong to separate spheres of verbal expression . The intended harm of ...
... practice put a premium on the power of the word to harm , and consequently , it is exploited for that purpose . But among the Urhobo , curse and satirical statements belong to separate spheres of verbal expression . The intended harm of ...
Sida 30
... practice developed into a full- fledged artistic form involving the four households ( quarters ) that comprised the Otughievwen parent community . By mutual agreement , the quarters grouped themselves into omesuo pairs . This pairing ...
... practice developed into a full- fledged artistic form involving the four households ( quarters ) that comprised the Otughievwen parent community . By mutual agreement , the quarters grouped themselves into omesuo pairs . This pairing ...
Innehåll
Sociohistorical background | 1 |
Satire and the genial spirit | 15 |
Rivalry relationships in Udje | 28 |
Upphovsrätt | |
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acts Akpo Aladja ando artists attack attempt avwan ayen become Behold called challenge court dance Death division Edjophe Ekrejegbe Erivwin expression festival fish Gbariemu Gbogidi Greetings Group Hear hwan Ihwo individuals Kogho koyen Kpaenban lead Leader lines living Logbo Loya material matter mother Movement narrative never Odile Ohwo Oloya once Orhunghworun Oyen pair participants performance person phrun piece Poverty practice presentation referred relationship remark returned rien rival royen satirical satirist season sing singer situation social society solo songs spectators tradition tree turned Type Udje Udu and Ughievwen Ughere Uhanghwa University Urhobo vwen ward wife