Characteristics of Men, Manners, Opinions, Times, Etc, Volym 1G. Richards, 1900 |
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Characteristics of Men, Manners, Opinions, Times, Etc, Volym 1 Anthony Ashley Cooper Earl of Shaftesbury Obegränsad förhandsgranskning - 1900 |
Characteristics of Men, Manners, Opinions, Times, Etc, Volym 1 Anthony Ashley Cooper Earl of Shaftesbury Obegränsad förhandsgranskning - 1900 |
Characteristics of Men, Manners, Opinions, Times, Etc, Volym 1 Anthony Ashley Cooper Earl of Shaftesbury Fragmentarisk förhandsgranskning - 1963 |
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action admiration advantage Aeneid Aeschylus allowed ancient appear appetite atheism beauty believe better Camisards character Christian common concerning consider contrary creature Daemonism Deism Deists Deity divine effeminacy endeavour enthusiasm Essay esteemed fair false fancy favour fear force friendship genius give Gnatia happiness honest honour human humour imagine imposture interest judge judgment kind least liberty Livy lord mankind manner matter merit mind Misc moral Moralists nation natural affection never occasion opinion ourselves panegyric passion perhaps person philosophy Plato pleasure Plutarch poets praetor praise pretend prince principle raillery raised reality reason religion respect ridicule sense sensus communis Shaftesbury simulacra society soliloquy sort species Spinoza spirit style supposed temper Thespis things thought treatise true truth Twas twill unnatural vicious virtue virtuous whilst wonder writing wrong δὲ καὶ τῶν
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Sida xxvi - And each vacuity of sense by pride. These build as fast as knowledge can destroy ; In folly's cup still laughs the bubble joy ; One prospect lost, another still we gain...
Sida xxxv - Must hear Humanity in fields and groves Pipe solitary anguish; or must hang Brooding above the fierce confederate storm Of sorrow, barricadoed evermore Within the walls of cities — may these sounds Have their authentic comment; that even these Hearing, I be not downcast or forlorn!
Sida 145 - Serus enim Graecis admovit acumina chartis, Et post Punica bella quietus quaerere coepit, Quid Sophocles et Thespis et Aeschylus utile ferrent.
Sida 224 - And portance in my travel's history; Wherein of antres vast and deserts idle, Rough quarries, rocks, and hills whose heads touch heaven, It was my hint to speak, — such was the process: And of the Cannibals that each other eat, The Anthropophagi, and men whose heads Do grow beneath their shoulders.
Sida xxxv - My own hope is, a sun will pierce The thickest cloud earth ever stretched ; That, after Last, returns the First, Though a wide compass round be fetched ; That what began best, can't end worst, Nor what God blessed once, prove accurst.
Sida 128 - It was not enough that these pieces treated fundamentally of morals and in consequence pointed out real characters and manners: they exhibited them alive and set the countenances and complexions of men plainly in view. And by this means they not only taught us to know others, but, what was principal and of highest virtue in them, they taught us to know ourselves.
Sida 222 - Our Relish or Taste must of necessity grow barbarous, whilst Barbarian Customs, Savage Manners, Indian Wars, and Wonders of the Terra Incognita, employ our leisure Hours, and are the chief Materials to furnish out a Library. These are in our present Days, what Books of Chivalry were, in those of our Forefathers.
Sida 33 - Deus, ecce, deus!' Cui talia fanti ante fores subito non vultus, non color unus, non comptae mansere comae; sed pectus anhelum, et rabie fera corda tument; maiorque videri nec mortale sonans, afflata est numine quando 50 iam propiore dei. 'Cessas in vota precesque, Tros
Sida 264 - Thus if one person were decreed to suffer for another's fault, the sentence would be just and equitable. And thus, in the same manner, if arbitrarily, and without reason, some beings were destined to endure perpetual ill, and others as constantly to enjoy good, this also would pass under the same denomination. But to say of anything that it is just or unjust, on such a foundation as this, is to say nothing, or to speak without a meaning.
Sida 94 - A painter, if he has any genius, understands the truth and unity of design ; and knows he is even then unnatural when he follows Nature too close, and strictly copies Life. For his art allows him not to bring all nature into his piece, but a part only. However, his piece, if it be beautiful, and carries truth, must be a whole, by itself, complete, independent, and withal as great and comprehensive as he can make it.