Keats's Boyish ImaginationRoutledge, 6 dec. 2012 - 176 sidor For many readers, John Keats's achievement is to have attainted a supreme poetic maturity at so young an age. Canonical poems of resignation and acceptance such as 'To Autumn' are traditionally seen as examples par excellence of this maturity. In this highly innovative study, however, Marggraf Turley examines how, for Keats, an insistence on 'boyishness' in the midst of apparent mature imagery is the very essence of his political contestation of the literary establishment. |
Innehåll
Keats and feet | |
immaturity and To Autumn | |
Keats and puberphonia | |
naughty boys and immature aesthetics | |
Keats and cts | |
Andra upplagor - Visa alla
Vanliga ord och fraser
adolescent adult aesthetic anatomy Andrew Motion anxieties Autumn bawdy Belle Dame Byron Calidore Cant castration chapter Chatterton childish clammy cells Clerimond composed consciousness Cornwall’s critical Diana’s Endymion Eve of St eyes Fall of Hyperion feeling towards Women feet fetish flowers full-grown lambs Gittings grown-up Guy’s Helen Vendler Hunt’s immaturity Isabella John Barnard John Keats Josiah Conder Keats’s Keats’s Boyish Imagination Keats’s letters Keats’s poetry ladies Lake Lamia larynx Leigh Hunt literary London Dissector Lycius Madeline’s manly Marvell’s masculine mature Milton Moneta Motion Mountains narrative naughty boy Nicholas Roe o’er passage phallic phonation phrase poem poem’s poet poet’s poetic political Porphyro portcullis Preface to Endymion psychological readers reading right feeling Robert Gittings Romantic scene schoolboy sense sexual sonnet St Agnes stanza sublime suggests sweet things thou threat’ning Tip-toe tour Trollhättan Vendler verse vocal voice walking Wollstonecraft’s wonders words Wordsworth writing young youth