Shakespeare's Works, Volym 13Harper & brothers, 1884 |
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Sida 170
... Delius points out , Horatio and Marcellus in 15 below give a different response to the same challenge . Pye believes that it corresponds to the old French usage of replying Vive le roi ! to the chal- lenge Qui vive ? 6. Upon your hour ...
... Delius points out , Horatio and Marcellus in 15 below give a different response to the same challenge . Pye believes that it corresponds to the old French usage of replying Vive le roi ! to the chal- lenge Qui vive ? 6. Upon your hour ...
Sida 178
... 45 fol . , see Gr . 235 . 45. Lose your voice . Waste your words . Cf. 118 below : " lose her prayers . " 47. Native . Naturally related . Cf. A. W. i . 1. 238 : " native things " " ( that is , kindred things ) . Delius remarks 178 NOTES .
... 45 fol . , see Gr . 235 . 45. Lose your voice . Waste your words . Cf. 118 below : " lose her prayers . " 47. Native . Naturally related . Cf. A. W. i . 1. 238 : " native things " " ( that is , kindred things ) . Delius remarks 178 NOTES .
Sida 179
William Shakespeare William James Rolfe. ( that is , kindred things ) . Delius remarks that native expresses a con- nection that is congenital , instrumental one that is mechanical . 51. Leave and favour . " Kind permission " ( Caldecott ) ...
William Shakespeare William James Rolfe. ( that is , kindred things ) . Delius remarks that native expresses a con- nection that is congenital , instrumental one that is mechanical . 51. Leave and favour . " Kind permission " ( Caldecott ) ...
Sida 181
... Delius suggests , the poet probably regarded no less nobility of love as the object of impart , and forgot , owing to the intermediate clause , that he had written with no less . On for = as for , as regards , see Gr . 149 . 113. The ...
... Delius suggests , the poet probably regarded no less nobility of love as the object of impart , and forgot , owing to the intermediate clause , that he had written with no less . On for = as for , as regards , see Gr . 149 . 113. The ...
Sida 189
... Delius and others explain it ( Gr . 376 , 377 ) . 63. Grapple . Cf. Macb . iii . 1. 106 : " Grapples you to the heart and love of us . " For hoops Pope substituted " hooks . " 64. Do not dull , etc. " Do not make thy palm callous by ...
... Delius and others explain it ( Gr . 376 , 377 ) . 63. Grapple . Cf. Macb . iii . 1. 106 : " Grapples you to the heart and love of us . " For hoops Pope substituted " hooks . " 64. Do not dull , etc. " Do not make thy palm callous by ...
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Abbott Gr accent Bernardo blood Brutus Caldecott Calpurnia Capitol Casca Cassius character Cicero Cinna Citizen Clitus Clown Coll Craik Cymb dead dear death Decius deed Delius dost doth edition Enter Exeunt Exit eyes father fear folio reading follow Fortinbras friends Ghost give Guildenstern Hamlet hand hast hath hear heart heaven honour Horatio Johnson Julius Cæsar King Laertes Lear Ligarius look lord Lucilius Lucius Macb madness Malone Marcellus Mark Antony matter means Messala mind mother murther nature night noble noun Octavius Ophelia Osric passage passion Pindarus play players Plutarch poet Polonius Pompey Portia pray quartos Queen Rich Rolfe's Roman Rome Rosencrantz Rosencrantz and Guildenstern says SCENE Schmidt sense Shakespeare Sonn soul speak speech spirit Steevens quotes sword tell Temp thee Theo thing thou thought Titinius unto verb Warb word
Populära avsnitt
Sida 84 - Friends, Romans, countrymen, lend me your ears ; I come to bury Caesar, not to praise him. The evil that men do lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Sida 87 - Caesar loved him! This was the most unkindest cut of all: For when the noble Caesar saw him stab, Ingratitude, more strong than traitors' arms, Quite vanquished him : then burst his mighty heart ; And, in his mantle muffling up his face, Even at the base of Pompey's statua, Which all the while ran blood, great Caesar fell.
Sida 100 - ... t were, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians...
Sida 50 - Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief, That can denote me truly : these, indeed, seem, For they are actions that a man might play ; But I have that within, which passeth show, These but the trappings and the suits of woe.
Sida 128 - How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more.
Sida 116 - Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See what a grace was seated on this brow; Hyperion's curls, the front of Jove himself, An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form.' indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband.
Sida 54 - tis a common proof That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
Sida 47 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: And then, they say, no spirit dares stir abroad; The nights are wholesome; then no Planets strikE, NO fairy takes, nor witch hath Power to charm, So hallow'd and so gracious is the time.
Sida 92 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Sida 91 - What's Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have?