The TempestYale University Press, 1 jan. 2006 - 192 sidor Shakespeare's valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots. |
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Sida xvi
... he has ruled ? But there is not a bit of sup- porting evidence . Autobiographical ... Prospero , roughly 52 per- cent . That is close to the figure received by ... Ariel , 31 percent Sebastian , 28 percent Alonso , 28 percent Miranda , 27 ...
... he has ruled ? But there is not a bit of sup- porting evidence . Autobiographical ... Prospero , roughly 52 per- cent . That is close to the figure received by ... Ariel , 31 percent Sebastian , 28 percent Alonso , 28 percent Miranda , 27 ...
Sida xxii
... Ariel . Until the time at which the play opens , this creature of the air , a sprite of nonhuman origin and many ... Prospero demonstrates : Ariel Your charm so strongly works ' em That if you now beheld them , your affections Would ...
... Ariel . Until the time at which the play opens , this creature of the air , a sprite of nonhuman origin and many ... Prospero demonstrates : Ariel Your charm so strongly works ' em That if you now beheld them , your affections Would ...
Sida xxiii
... Ariel , as Prospero in act 1 , scene 2 summons the sprite to appear to him , Ariel ex- plains that I come To answer thy best pleasure , be't to fly , To swim , to dive into the fire , to ride On the curled clouds . To thy strong bidding ...
... Ariel , as Prospero in act 1 , scene 2 summons the sprite to appear to him , Ariel ex- plains that I come To answer thy best pleasure , be't to fly , To swim , to dive into the fire , to ride On the curled clouds . To thy strong bidding ...
Sida xxiv
... Prospero's delight in Ariel's actions , many times expressed , is matched by Ariel's desire both to please and to be praised . In act 4 , scene I we have the following ex- change : Ariel Before you can say " Come , " and " Go , " And ...
... Prospero's delight in Ariel's actions , many times expressed , is matched by Ariel's desire both to please and to be praised . In act 4 , scene I we have the following ex- change : Ariel Before you can say " Come , " and " Go , " And ...
Sida xxv
... Ariel . I shall miss thee , / But yet thou shalt have freedom . " And Ariel over and over replies to Prospero with the most compelling of ebullient gracefulness , saying at the end of act 1 , " To th ' syllable , " and in the first ...
... Ariel . I shall miss thee , / But yet thou shalt have freedom . " And Ariel over and over replies to Prospero with the most compelling of ebullient gracefulness , saying at the end of act 1 , " To th ' syllable , " and in the first ...
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actors Adrian Alonso annotations Antonio ARIEL Prospero awake Boatswain bottle brave brother Burton Raffel Caliban Carthage cell Ceres daughter devil Dido doth drink drowned Duke of Milan dukedom e'er ENTER ARIEL EXEUNT EXIT ARIEL eyes father fish Folio follow foul garments give Gonzalo grace hang Hark Harold Bloom Hast thou hath hear hither honor human in't Island ENTER isle Johan Huizinga Juno King of Naples language look lord magic master meaning Miranda monster noun nymphs o'er on't percent play pray prithee prosody Prospero Thou queen red plague roaring scene scurvy Sebastian sense Shake Shakespeare's ship sing slave sleep speak spirit sprites Stephano strange swear sword Sycorax tell Tempest theater thee There's thine thing thou art thou cam'st thou didst Thou dost thou hast thou shalt Trinculo Tunis verb what's word wrack
Populära avsnitt
Sida xx - Be not afeard ; the isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears ; and sometime voices, That, if I then had wak'd after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me ; that, when I wak'd, I cried to dream again.
Sida x - If by your art, my dearest father, you have Put the wild waters in this roar, allay them : The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
Sida xxv - Where the bee sucks, there suck I ; In a cowslip's bell I lie : There I couch*. When owls do cry, '} \ On the bat's back I do fly, After summer, merrily : Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
Sida xxix - It may seem a paradox, but I cannot help being of \ opinion that the plays of Shakespeare are less calculated for performance on a stage than those of almost any other dramatist whatever.
Sida xxiii - All hail, great master! grave sir, hail ! I come To answer thy best pleasure ; be't to fly, To swim, to dive into the fire, to ride On the curl'd clouds ; to thy strong bidding, task Ariel, and all his quality.
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