Refracting the Canon in Contemporary British Literature and FilmSusana Onega Jaén, Christian Gutleben Rodopi, 2004 - 261 sidor Contemporary works of art that remodel the canon not only create complex, hybrid and plural products but also alter our perceptions and understanding of their source texts. This is the dual process, referred to in this volume as "refraction", that the essays collected here set out to discuss and analyse by focusing on the dialectic rapport between postmodernism and the canon. What is sought in many of the essays is a redefinition of postmodernist art and a re-examination of the canon in the light of contemporary epistemology. Given this dual process, this volume will be of value both to everyone interested in contemporary art--particularly fiction, drama and film--and also to readers whose aim it is to promote a better appreciation of canonical British literature. |
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Sida 168
... canonical romance . Such refringence is based on excess and shamelessness , both in the represented romances or love stories and in the way of representing them . It thus deviates from canonical romance through modifications and changes ...
... canonical romance . Such refringence is based on excess and shamelessness , both in the represented romances or love stories and in the way of representing them . It thus deviates from canonical romance through modifications and changes ...
Sida 171
... canonical romance ( it testifies to the narrator's ability to reconstruct the model of canonical romance ) but it provides a homage to more improbable though unmistakeable romances , which are not strictly canonised as such and whose ...
... canonical romance ( it testifies to the narrator's ability to reconstruct the model of canonical romance ) but it provides a homage to more improbable though unmistakeable romances , which are not strictly canonised as such and whose ...
Sida 174
... romance into perspective . The refraction of the canon is essentially a subversion of the canon whose purity is swamped by non canonical , impure representations of untamed love . In a metafictional text that does nothing to hide its ...
... romance into perspective . The refraction of the canon is essentially a subversion of the canon whose purity is swamped by non canonical , impure representations of untamed love . In a metafictional text that does nothing to hide its ...
Innehåll
Introduction 715 | 7 |
Creative Bastardy in Sternes 1752 | 17 |
Rewriting the Canon in Contemporary 5368 | 53 |
Upphovsrätt | |
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Refracting the Canon in Contemporary British Literature and Film Susana Onega Jaén,Christian Gutleben Begränsad förhandsgranskning - 2004 |
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A. S. Byatt Aboulela Ackroyd African Alasdair Gray Austen bastard Bleak House Book British Cambridge canonical romance canonical text Caryl Phillips century characters Charlotte Jones Clueless comedy contemporary Scottish critics cultural Dickens Dickensian echoes Emma essays example Faber Fanny female feminist fiction Fight Club film Fire of London Fluchère Frankenstein Gil-Martin Gray's Hamlet Hogg Hogg's Humble Boy hypotext identity intertextual Islam Jane Jekyll and Hyde Justified Sinner Leila Aboulela literary Little Dorrit metaphor Midnight's Children modern mother Muslim narrative narrator Nature of Blood Ophelia original Othello Oxford Palliser parody Penguin play Post-Victorian postmodern PowerBook present protagonist Quincunx reader reading References refraction representation rewriting Rushdie Rushdie's Saleem Sammar scene Scottish literature sense sexual Shakespeare Shandy's Sterne Sterne's story theory things tradition Tristram Shandy Tyler University Press Venetian Venice Victorian novel Walter Winterson's woman women words writing Yorick York Zadie Smith