Sound Design: The Expressive Power of Music, Voice, and Sound Effects in CinemaMichael Wiese Productions, 2001 - 245 sidor The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "go home" in the enchanting E.T. These are examples of the many different ways in which sound can contribute to the overall dramatic impact of a film. |
Innehåll
CREATING THE SOUND DESIGN STEPBYSTEP | 1 |
EXPANDING CREATIVITY | 53 |
FROM VIBRATION TO SENSATION | 63 |
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Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema David Sonnenschein Ingen förhandsgranskning - 2013 |
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able acoustic action allows ambience animal attention audience audio beat become beginning body brain build called Chapter character close complete contrast create creative dialogue diegesis direction director distinct dramatic effects elements emotional energy environment event example experience expression feeling film final frequencies give happen harmony hear heard human ideas influence intensity kind language listening look loud meaning melody move movement movie narrative natural noise normal object occurs original perceive person physical pitch play possible production range reality recording reference relationship rhythm scene screen script sense separate sequence serve setting silence similar single sound design sound effects soundtrack space specific speech speed story storytelling structure subjective theme things timbre tone track visual voice
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Analyse der Darstellung akustischer Sinneswahrnehmungen im Kriegsfilm Julius Pöhnert Begränsad förhandsgranskning - 2008 |