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Of life at once untie : poor venomous fool,
Char. O eastern star!
O, break! O, break! Cleo. As sweet as balm, as soft as air, as gentle, O Antony !-Nay, I will take thee too :
[Applying another Asp to her Arm. What should I stay
[Falls on a Bed, and dies. Char. In this wild world ?-So, fare thee well. Now boast thee, death! in thy possession lies A lass unparallel'd.-Downy windows, close; And golden Phæbus never be beheld Of eyes again so royal ! Your crown's awry ; I'll mend it, and then play.
Enter the Guard, rushing in. 1 Guard. Where is the queen ? Char.
Speak softly, wake her not. 1 Guard. Cæsar hath sentChar.
Too slow a messenger.
[Applies the Asp. O, come; apace, despatch: I partly feel thee. 1 Guard. Approach, ho! All's not well : Cæsar's 1 Guard. What work is here ? -Charmian, is this
beguil'd. 2 Guard. There's Dolabella sent from Cæsar ;-call
3 Unpolitick, to leave me to myself.
Dol. How goes it here? 2 Guard.
All dead. Dol.
Cæsar, thy thoughts
for Cæsar! Enter CÆSAR, and Attendants. Dol, 0, sir, you are too sure an augurer ; That you
did fear, is done. Cæs.
Bravest at the last : She levell’d at our purposes, and, being royal, Took her own way.—The manner of their deaths ? I do not see them bleed. Dol.
Who was last with them? 1 Guard. A simple countryman, that brought her
This was his basket.
Poison'd then. 1 Guard.
O Cæsar, This Charmian lived but now; she stood, and spakes I found her trimming up the diadem On her dead mistress ; tremblingly she stood, And on the sudden dropp'd. Cæs.
O noble weakness !
If they had swallow'd poison, 'twould appear
Here, on her breast,
4 Graceful appearance.
5 Tried experiments.
This play keeps curiosity always busy, and the passions always interested. The continual hurry of the action, the variety of incidents, and the quick succession of one personage to another, call the mind forward without intermission from the first Act to the last. But the power of delighting is
derived principally from the frequent changes of the scene; for, except the feminine arts, some of which are too low, which distinguish Cleopatra, no character is very strongly discriminated. Upton, who did not easily miss what he desired to find, has discovered that the language of Antony is, with great skill and learning, made pompous and superb, according to his real practice. But I think his diction not distinguish, able from that of others: The most tumid speech in the play is that which Cæsar makes to Octavia.
The events, of which the principal are described accord. ing to history, are produced without any art of connection or care of disposition,
END OF VOLUME SEVENTH.
W. Baldwin and son, Printers,