Shakespeare: A Critical Study of His Mind and ArtHenry S. King & Company, 1875 - 430 sidor |
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... Othello · Macbeth Lear 1602-31 ( ? ) 1603 * ( ? ) 1603 1623 ( ? ) 1601-3 ( ? ) 1623 ( ? ) 1604 1610 1622 1605-61 1610 1623 1605-61 1606 1608 * 1606-7 1609 1609 1606-7 1608 ( ? ) 1623 · ( ? ) 1607-8 1623 1607-8 1623 Troilus & Cressida ...
... Othello · Macbeth Lear 1602-31 ( ? ) 1603 * ( ? ) 1603 1623 ( ? ) 1601-3 ( ? ) 1623 ( ? ) 1604 1610 1622 1605-61 1610 1623 1605-61 1606 1608 * 1606-7 1609 1609 1606-7 1608 ( ? ) 1623 · ( ? ) 1607-8 1623 1607-8 1623 Troilus & Cressida ...
Sida
... , 162 CHAPTER V. OTHELLO : MACBETH : LEAR , . 222 CHAPTER VI . THE ROMAN PLAYS , 276 CHAPTER VII . THE HUMOUR OF SHAKSPERE , 337 CHAPTER VIII . SHAKSPERE'S LAST PLAYS , 378 1 Shakspere - His Mind and Art . CHAPTER I.
... , 162 CHAPTER V. OTHELLO : MACBETH : LEAR , . 222 CHAPTER VI . THE ROMAN PLAYS , 276 CHAPTER VII . THE HUMOUR OF SHAKSPERE , 337 CHAPTER VIII . SHAKSPERE'S LAST PLAYS , 378 1 Shakspere - His Mind and Art . CHAPTER I.
Sida 25
... Othello writhe in body as in mind , fell within the com- pass of the same imagination that included at the other extremity the trembling expectation of Troilus , before the entrance of Cressida , t - into which the dramatist enters so ...
... Othello writhe in body as in mind , fell within the com- pass of the same imagination that included at the other extremity the trembling expectation of Troilus , before the entrance of Cressida , t - into which the dramatist enters so ...
Sida 33
... Othello " and his " Lear . " Is it conceivable that Shakspere thought more of his pounds than of his plays ? Strongly as he felt the fact about the little sum of money which he sought to recover , is it not beyond possibility of doubt ...
... Othello " and his " Lear . " Is it conceivable that Shakspere thought more of his pounds than of his plays ? Strongly as he felt the fact about the little sum of money which he sought to recover , is it not beyond possibility of doubt ...
Sida 75
... Othello , in Corio- lanus the ruin of character in greater or less degree , Shakspere represented absolute , overwhelming , irre- trievable ruin in Timon of Athens , a play written Growth of Shakspere's Mind and Art . 75.
... Othello , in Corio- lanus the ruin of character in greater or less degree , Shakspere represented absolute , overwhelming , irre- trievable ruin in Timon of Athens , a play written Growth of Shakspere's Mind and Art . 75.
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Shakespeare: A Critical Study of His Mind and Art Edward Dowden Fragmentarisk förhandsgranskning - 1967 |
Shakespeare: A Critical Study of His Mind and Art Edward Dowden Fragmentarisk förhandsgranskning - 1962 |
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action Antony Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Cleopatra Coleridge comedy comic Cordelia Coriolanus criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling Fleay genius Gervinus grave Hamlet hand heart heaven Helena Henry heroic historical plays honour human humour husband Iago ideal imagination intellect Jahrbuch Julius Cæsar King King Lear Kreyssig Laertes Lear lives lord Love's Labour's Lost lover loyalty Macbeth manhood Marlowe mind mirth moral mystery nature night noble Ophelia Othello passion pathetic period person poems poet Polonius Portia possessed present Prospero Queen Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Society Shakspere's Sonnets sorrow soul spere spirit stand strength Tempest tender terrible thee Theseus things thou thought Timon Timon of Athens tion tragedy tragic true truth uttered virtue weakness woman words
Populära avsnitt
Sida 270 - This is the excellent foppery of the world, that, when we are sick in fortune, often the surfeit of our own behaviour, we make guilty of our disasters the sun, the moon, and the stars...
Sida 174 - And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. And out of his mouth goeth a sharp sword, that with it he should smite the nations : and he shall rule them with a rod of iron : and he treadeth the winepress of the fierceness and wrath of Almighty God. And he hath on his vesture and on his thigh a name written, King of Kings, and Lord of Lords.
Sida 211 - I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours, that did seem to strangle him.
Sida 367 - A' made a finer end and went away an it had been any christom child; a' parted even just between twelve and one, even at the turning o' the tide: for after I saw him fumble with the sheets and play with flowers and smile upon his fingers...
Sida 209 - Fate, And see the revolution of the times Make mountains level, and the continent, Weary of solid firmness, melt itself Into the sea : and, other times, to see The beachy girdle of the ocean Too wide for Neptune's hips ; how chances mock, And changes fill the cup of alteration With divers liquors ! [0, if this were seen, The happiest youth, viewing .his progress through, What perils past, what crosses to ensue, Would shut the book, and sit him down and die...
Sida 77 - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these : but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and, indeed, the sundry contemplation of my travels, in which my often rumination wraps me in a most humorous sadness.
Sida 136 - Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband.
Sida 217 - I know thee not, old man: Fall to thy prayers ; How ill white hairs become a fool, and jester!
Sida 400 - Desiring this man's art, and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate: For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.
Sida 43 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy ! This can unlock the gates of Joy ; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.