John DrydenEarl Roy Miner Bell, 1972 - 363 sidor On reading Dryden - Dryden's comedies - Dryden and the tradition of serious drama - An aspect of the Baroque in Dryden's art and criticism - Dryden's panegyrics and lyrics - "Absalom and Achitophel" and Dryden's political cosmos - Dryden and satire - Forms and motives of narrative poetry - Dryden and the classics - Dryden and seventeenth-century prose style. |
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Sida 138
... allusion standard enough in locus though subtle in its duality of reference.2 These figures and allusions are with one exception tailored to the dimensions of the couplet , and all of the couplets are closed by 1 Miner , 221. Donald R ...
... allusion standard enough in locus though subtle in its duality of reference.2 These figures and allusions are with one exception tailored to the dimensions of the couplet , and all of the couplets are closed by 1 Miner , 221. Donald R ...
Sida 199
... allusions to the Satanic materials of Paradise Lost . Milton's portrayal of Satan has its own satiric dimension . Satan attempts to equal God but achieves only parody ; the devils stand in semi - circles in Hell whereas the angels stand ...
... allusions to the Satanic materials of Paradise Lost . Milton's portrayal of Satan has its own satiric dimension . Satan attempts to equal God but achieves only parody ; the devils stand in semi - circles in Hell whereas the angels stand ...
Sida 200
... allusions to Aeneas have a force additional to the simple provision of a heroic context for the enthrone- ment , through a play on the word ' author ' , the categorization of Aeneas in those lines of the Aeneid alluded to in lines 106-9 ...
... allusions to Aeneas have a force additional to the simple provision of a heroic context for the enthrone- ment , through a play on the word ' author ' , the categorization of Aeneas in those lines of the Aeneid alluded to in lines 106-9 ...
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On Reading Dryden | 1 |
Drydens Comedies | 39 |
Dryden and the Tradition of Serious Drama | 58 |
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Absalom and Achitophel achievement allusions appear authority beginning called century characters Charles Christian classical close comedy comic concerned couplet critics death developed divine drama Dryden earlier effect England English epic essay example expressed Fables figure final gives grotesque hero heroic human idea ideal important includes James John John Dryden kind King language later less lines literary Literature Lives London Love Mac Flecknoe Milton mind myth narrative nature once opening original passage perhaps Persius Plautus play plot poem poet poetic poetry political Pope praise Preface present prose reader reason Restoration rhetorical romance satire says scene seems sense seventeenth-century Shadwell Studies style suggests things thought tion translation true turn verse Virgil Watson writing written wrote
Hänvisningar till den här boken
The Sentence-structure in John Dryden's An Essay of Dramatic Poesy Keitarō Irie Fragmentarisk förhandsgranskning - 1985 |