John DrydenEarl Roy Miner Bell, 1972 - 363 sidor On reading Dryden - Dryden's comedies - Dryden and the tradition of serious drama - An aspect of the Baroque in Dryden's art and criticism - Dryden's panegyrics and lyrics - "Absalom and Achitophel" and Dryden's political cosmos - Dryden and satire - Forms and motives of narrative poetry - Dryden and the classics - Dryden and seventeenth-century prose style. |
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Sida 22
... called for stronger nerves than I suspect in myself or most of my contemporary men of letters . Dryden's engagement with his world was impelled by mind , passion , and will . The recreation of that engagement involved an imaginative ...
... called for stronger nerves than I suspect in myself or most of my contemporary men of letters . Dryden's engagement with his world was impelled by mind , passion , and will . The recreation of that engagement involved an imaginative ...
Sida 81
... called attention in his Preface to the precedents for this kind of scene in Euripides , Shake- speare , and Beaumont and Fletcher ( Watson , I 241-2 ) . All three of these scenes of Dryden's point toward the one in Don Sebastian where ...
... called attention in his Preface to the precedents for this kind of scene in Euripides , Shake- speare , and Beaumont and Fletcher ( Watson , I 241-2 ) . All three of these scenes of Dryden's point toward the one in Don Sebastian where ...
Sida 308
... called Euphuism . The latter was , and has continued to be , the dominant influence , and it seems likely that , as a basis for style , co - ordination is closer to the natural genius of a largely uninflected language such as English ...
... called Euphuism . The latter was , and has continued to be , the dominant influence , and it seems likely that , as a basis for style , co - ordination is closer to the natural genius of a largely uninflected language such as English ...
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On Reading Dryden | 1 |
Drydens Comedies | 39 |
Dryden and the Tradition of Serious Drama | 58 |
Upphovsrätt | |
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Absalom and Achitophel achievement allusions appear authority beginning called century characters Charles Christian classical close comedy comic concerned couplet critics death developed divine drama Dryden earlier effect England English epic essay example expressed Fables figure final gives grotesque hero heroic human idea ideal important includes James John John Dryden kind King language later less lines literary Literature Lives London Love Mac Flecknoe Milton mind myth narrative nature once opening original passage perhaps Persius Plautus play plot poem poet poetic poetry political Pope praise Preface present prose reader reason Restoration rhetorical romance satire says scene seems sense seventeenth-century Shadwell Studies style suggests things thought tion translation true turn verse Virgil Watson writing written wrote
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The Sentence-structure in John Dryden's An Essay of Dramatic Poesy Keitarō Irie Fragmentarisk förhandsgranskning - 1985 |