John DrydenEarl Roy Miner Bell, 1972 - 363 sidor On reading Dryden - Dryden's comedies - Dryden and the tradition of serious drama - An aspect of the Baroque in Dryden's art and criticism - Dryden's panegyrics and lyrics - "Absalom and Achitophel" and Dryden's political cosmos - Dryden and satire - Forms and motives of narrative poetry - Dryden and the classics - Dryden and seventeenth-century prose style. |
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Sida 76
... sense shape Almanzor's career , but in another sense , they merely help him to find himself . What he is and is not becomes clearer through contrast with another sort of love and ambition in Lyndaraxa , whose Hobbesian pursuit of power ...
... sense shape Almanzor's career , but in another sense , they merely help him to find himself . What he is and is not becomes clearer through contrast with another sort of love and ambition in Lyndaraxa , whose Hobbesian pursuit of power ...
Sida 218
... Sense of these Authors , almost line for line , had been our business , Barten Holiday had done it already to our hands : And , by the help of his Learned Notes and Illustrations , not only of Juvenal , and Persius , but what yet is ...
... Sense of these Authors , almost line for line , had been our business , Barten Holiday had done it already to our hands : And , by the help of his Learned Notes and Illustrations , not only of Juvenal , and Persius , but what yet is ...
Sida 237
... sense of narrative to lyric poems like the Anne Killigrew Ode or Threnodia Augustalis , or even to the character of Shaftesbury - Achitophel which , as Coleridge recognized , is not a static but a moving , developing thing . One last ...
... sense of narrative to lyric poems like the Anne Killigrew Ode or Threnodia Augustalis , or even to the character of Shaftesbury - Achitophel which , as Coleridge recognized , is not a static but a moving , developing thing . One last ...
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On Reading Dryden | 1 |
Drydens Comedies | 39 |
Dryden and the Tradition of Serious Drama | 58 |
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Absalom and Achitophel achievement allusions appear authority beginning called century characters Charles Christian classical close comedy comic concerned couplet critics death developed divine drama Dryden earlier effect England English epic essay example expressed Fables figure final gives grotesque hero heroic human idea ideal important includes James John John Dryden kind King language later less lines literary Literature Lives London Love Mac Flecknoe Milton mind myth narrative nature once opening original passage perhaps Persius Plautus play plot poem poet poetic poetry political Pope praise Preface present prose reader reason Restoration rhetorical romance satire says scene seems sense seventeenth-century Shadwell Studies style suggests things thought tion translation true turn verse Virgil Watson writing written wrote
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The Sentence-structure in John Dryden's An Essay of Dramatic Poesy Keitarō Irie Fragmentarisk förhandsgranskning - 1985 |