John DrydenEarl Roy Miner Bell, 1972 - 363 sidor On reading Dryden - Dryden's comedies - Dryden and the tradition of serious drama - An aspect of the Baroque in Dryden's art and criticism - Dryden's panegyrics and lyrics - "Absalom and Achitophel" and Dryden's political cosmos - Dryden and satire - Forms and motives of narrative poetry - Dryden and the classics - Dryden and seventeenth-century prose style. |
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Sida 27
... writing comedies , a repertory of new plays had not been de- veloped after the long intermission in theatrical production . The two companies of actors relied perforce on Renaissance plays - above all , on the plays of the dramatists ...
... writing comedies , a repertory of new plays had not been de- veloped after the long intermission in theatrical production . The two companies of actors relied perforce on Renaissance plays - above all , on the plays of the dramatists ...
Sida 192
... writing operates utterly differently from that of Persius . He does not offer a personal condemnation of corruption , but through the personality and mouth of Flecknoe presents a pane- gyric on bad writing . The wit resides in our ...
... writing operates utterly differently from that of Persius . He does not offer a personal condemnation of corruption , but through the personality and mouth of Flecknoe presents a pane- gyric on bad writing . The wit resides in our ...
Sida 272
... writing to Atticus . In the same year his epistle dedicatory to Amphitryon ( a play modelled on Plautus and Molière ) draws a comparison between Dryden writing to Sir William Gower , and Ovid writing a lamentable epistle from Pontus ...
... writing to Atticus . In the same year his epistle dedicatory to Amphitryon ( a play modelled on Plautus and Molière ) draws a comparison between Dryden writing to Sir William Gower , and Ovid writing a lamentable epistle from Pontus ...
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On Reading Dryden | 1 |
Drydens Comedies | 39 |
Dryden and the Tradition of Serious Drama | 58 |
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Absalom and Achitophel achievement allusions appear authority beginning called century characters Charles Christian classical close comedy comic concerned couplet critics death developed divine drama Dryden earlier effect England English epic essay example expressed Fables figure final gives grotesque hero heroic human idea ideal important includes James John John Dryden kind King language later less lines literary Literature Lives London Love Mac Flecknoe Milton mind myth narrative nature once opening original passage perhaps Persius Plautus play plot poem poet poetic poetry political Pope praise Preface present prose reader reason Restoration rhetorical romance satire says scene seems sense seventeenth-century Shadwell Studies style suggests things thought tion translation true turn verse Virgil Watson writing written wrote
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The Sentence-structure in John Dryden's An Essay of Dramatic Poesy Keitarō Irie Fragmentarisk förhandsgranskning - 1985 |