Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volym 63Gale Research Company, 1984 |
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Sida 123
... Richard of Gloucester is nondescript at the outset of 3 Henry VI , but its dominant figure at last . Shake- speare seems hesitant about what to do with Richard . At first , it appears as though he will be cast as an overreacher in the ...
... Richard of Gloucester is nondescript at the outset of 3 Henry VI , but its dominant figure at last . Shake- speare seems hesitant about what to do with Richard . At first , it appears as though he will be cast as an overreacher in the ...
Sida 124
... Richard with a motive ( an acute consciousness of his deformity and uniqueness ) , an objec- tive ( the crown ) , and a borrowed and transformed morality play inheritance that allows him to toy with his enemies while revealing himself ...
... Richard with a motive ( an acute consciousness of his deformity and uniqueness ) , an objec- tive ( the crown ) , and a borrowed and transformed morality play inheritance that allows him to toy with his enemies while revealing himself ...
Sida 156
... Richard is emphasized by contrast ; his withdrawal into unworldliness repeats the pattern of the futility and destruction of the good seen in the similarly isolated figures of Talbot and Gloucester , while Richard is the culmination of ...
... Richard is emphasized by contrast ; his withdrawal into unworldliness repeats the pattern of the futility and destruction of the good seen in the similarly isolated figures of Talbot and Gloucester , while Richard is the culmination of ...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist