The TempestSpark Pub., 2002 - 66 sidor "Get your "A" in gear! They're today's most popular study guides-with everything you need to succeed in school. Written by Harvard students for students, since its inception "SparkNotes(TM) has developed a loyal community of dedicated users and become a major education brand. Consumer demand has been so strong that the guides have expanded to over 150 titles. "SparkNotes'(TM) motto is "Smarter, Better, Faster because: - They feature the most current ideas and themes, written by experts. - They're easier to understand, because the same people who use them have also written them. - The clear writing style and edited content enables students to read through the material quickly, saving valuable time. And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else! |
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Sida 2
... stage is given par- ticular prominence in The Tempest . Stages of the Elizabethan and Jacobean period were for the most part bare and simple . There was little on - stage scenery , and the possibilities for artificial lighting were ...
... stage is given par- ticular prominence in The Tempest . Stages of the Elizabethan and Jacobean period were for the most part bare and simple . There was little on - stage scenery , and the possibilities for artificial lighting were ...
Sida 20
... stage direction ) , and the splitting of the ship is sig- naled in part by " a confused noise within " ( I.i.54 , stage direction ) . Much of the noise of the play is musical , and much of the music is Ariel's . Ferdinand is led to ...
... stage direction ) , and the splitting of the ship is sig- naled in part by " a confused noise within " ( I.i.54 , stage direction ) . Much of the noise of the play is musical , and much of the music is Ariel's . Ferdinand is led to ...
Sida 24
... stage would have been almost entirely bare , with- out many physical signs that the actors were supposed to be on a ship , much less a ship in the midst of a lashing storm . As a result , the audience sees Shakespeare calling on all the ...
... stage would have been almost entirely bare , with- out many physical signs that the actors were supposed to be on a ship , much less a ship in the midst of a lashing storm . As a result , the audience sees Shakespeare calling on all the ...
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ambiguous ANALYSIS ACT Antonio and Sebastian audience beauty begins Boatswain brother brutish Caliban says characters chess Claribel cloak colonial curse daughter discuss drown drunken Duke of Milan dukedom enemies enters father Ferdi Ferdinand and Miranda forgives Globe Theatre Gonzalo happy ending idea of justice imprisoned invisible island Juno and Ceres kill Prospero King of Naples King's Men lords love for Miranda magical banquet mariners marriage marry masque Miranda and Ferdinand Miranda seems monster MOTIFS parody pero's play's playwright Pros Prospero and Ariel Prospero and Caliban Prospero and Miranda Prospero gives Prospero says Prospero's books Prospero's cell Prospero's magic QUESTIONS & ESSAYS rape Miranda red plague reminds REVIEW & RESOURCES scene ii Sebastian and Antonio servitude Shakespeare ship shipwreck slave sleep speech spirits stage direction Stefano and Trinculo storm story SUMMARY & ANALYSIS Sycorax symbol Tempest THEMES thinks treachery Trinculo and Stefano Tunis usurped wedding William Shakespeare