Critical and Miscellaneous Essays, Volym 1Weeks, Jordan & Company, 1840 |
Från bokens innehåll
Resultat 1-5 av 37
Sida 18
... critics , and some of great name , who contrive in the same breath to extol the poems , and to decry the poet . The ... critic . He knew that his poetical genius derived no advan- tage from the civilization which surrounded him , or from ...
... critics , and some of great name , who contrive in the same breath to extol the poems , and to decry the poet . The ... critic . He knew that his poetical genius derived no advan- tage from the civilization which surrounded him , or from ...
Sida 25
... criticism , on which we are en- tering , innumerable reapers have already put their sickles . Yet the harvest is so abundant , that the negligent search of a straggling gleaner may be rewarded with a sheaf . The most striking ...
... criticism , on which we are en- tering , innumerable reapers have already put their sickles . Yet the harvest is so abundant , that the negligent search of a straggling gleaner may be rewarded with a sheaf . The most striking ...
Sida 31
... criticism was just . It is when Milton escapes from the shackles of the dialogue , when he is discharged from the labor of uniting two incongruous styles , when he is at liberty to indulge his choral raptures without reserve , that he ...
... criticism was just . It is when Milton escapes from the shackles of the dialogue , when he is discharged from the labor of uniting two incongruous styles , when he is at liberty to indulge his choral raptures without reserve , that he ...
Sida 32
... critics has placed in the highest class of human compositions . The only poem of modern times , which can be compared with the Paradise Lost , is the Divine Comedy . The subject of Milton , in some points , resembled that of Dante ; but ...
... critics has placed in the highest class of human compositions . The only poem of modern times , which can be compared with the Paradise Lost , is the Divine Comedy . The subject of Milton , in some points , resembled that of Dante ; but ...
Sida 43
... critics who have not understood their nature . They have no epigrammatic point . There is none of the ingenuity of Filicaja in the thought , none of the hard and brilliant enamel of Petrarch in the style . They are simple but ma- jestic ...
... critics who have not understood their nature . They have no epigrammatic point . There is none of the ingenuity of Filicaja in the thought , none of the hard and brilliant enamel of Petrarch in the style . They are simple but ma- jestic ...
Andra upplagor - Visa alla
Critical and Miscellaneous Essays, Volym 1 Thomas Babington Macaulay Baron Macaulay Obegränsad förhandsgranskning - 1843 |
Critical and Miscellaneous Essays, Volym 1 Thomas Babington Macaulay Baron Macaulay Obegränsad förhandsgranskning - 1840 |
Critical and Miscellaneous Essays, Volym 1 Thomas Babington Macaulay Baron Macaulay Obegränsad förhandsgranskning - 1860 |
Vanliga ord och fraser
absurd admiration appear army beauty Bunyan Catholic century character Charles Church civil conceive considered constitution critics Cromwell Dante Divine Comedy doctrines doubt Dryden Edinburgh Review effect eminent enemies England English evil excited executive government favor feelings genius Greeks Hallam Herodotus historians honor House human imagination imitation interest Italy King language less liberty literary literature lived Livy Long Parliament Lord Byron Machiavelli manner means ment merit Milton mind moral nature never noble opinion Othello Paradise Lost Parliament party passions peculiar persecution persons Pilgrim's Progress poems poet poetry political Pope Prince principles produced Puritans reason reign religion rendered resembled respect Revolution Roundheads royal prerogative scarcely seems Shakspeare society sophisms Southey Southey's spirit statesman Strafford strong style Tacitus talents taste thought Thucydides tion truth tyrant virtues wealth Whigs whole writers
Populära avsnitt
Sida 30 - I should much commend the tragical part, if the lyrical did not ravish me with a certain Doric delicacy in your songs and odes, whereunto I must plainly confess to have seen yet nothing parallel in our language : Ipsa mollities.
Sida 56 - Many politicians of our time are in the habit of laying it down as a self-evident proposition, that no people ought to be free till they are fit to use their freedom.
Sida 31 - And drenches with Elysian dew (List, mortals, if your ears be true) Beds of hyacinth and roses, Where young Adonis oft reposes, Waxing well of his deep wound, In slumber soft, and on the ground Sadly sits the Assyrian queen.
Sida 137 - Partridge, with a contemptuous sneer; "why, I could act as well as he myself. I am sure if I had seen a ghost I should have looked in the very same manner, and done just as he did.
Sida 456 - Ho! Philip, send, for charity, thy Mexican pistoles, That Antwerp monks may sing a mass for thy poor spearmen's souls. Ho ! gallant nobles of the League, look that your arms be bright ; Ho ! burghers of Saint Genevieve, keep watch and ward to-night.
Sida 71 - What! have you let the false enchanter scape? O ye mistook; ye should have snatched his wand, And bound him fast. Without his rod reversed, And backward mutters of dissevering power, We cannot free the Lady that sits here In stony fetters fixed and motionless.
Sida 21 - fine frenzy " which he ascribes to the poet, — a fine frenzy doubtless, but still a frenzy. Truth, indeed, is essential to poetry ; but it is the truth of madness. The reasonings are just ; but the premises are false. After the first suppositions have been made...
Sida 23 - And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age. As the light of knowledge breaks in upon its exhibitions, as the outlines of certainty become more and more definite, and the shades of probability...
Sida 432 - The wicket gate, and the desolate swamp which separates it from the City of Destruction, the long line of road, as straight as a rule can make it, the Interpreter's house and all its fair shows, the prisoner in the iron cage, the palace, at the doors of which armed men kept guard, and on the battlements of which walked persons clothed all in gold, the cross and the sepulchre, the steep hill and the pleasant...
Sida 32 - The poetry of Milton differs from that of Dante as the Hieroglyphics of Egypt differed from the picture-writing of Mexico. The images which Dante employs speak for themselves ; they stand simply for what they are. Those of Milton have a signification which is often discernible only to the initiated. Their value depends less on what they directly represent than on what they remotely suggest.