“The” Plays of William Shakespeare, Volym 5F. C. and J. Rivington, J. Johnson, R. Baldwin, 1805 |
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Sida 19
... Cymbeline , Act IV , sc . iii : " I am amazed with matter . " Steevens . 6 With bills on their necks , -Be it known unto all men by these pre- sents , ] The ladies and the fool , according to the mode of wit at that time , are at a kind ...
... Cymbeline , Act IV , sc . iii : " I am amazed with matter . " Steevens . 6 With bills on their necks , -Be it known unto all men by these pre- sents , ] The ladies and the fool , according to the mode of wit at that time , are at a kind ...
Sida 38
... Cymbeline : 66 66 which my false spirits Quail to remember . ” Steevens . O you memory - ] Shakspeare often uses memory for memorial , and Beaumont and Fletcher sometimes . So , in The Humorous Lieutenant : Of old sir Rowland ! why ...
... Cymbeline : 66 66 which my false spirits Quail to remember . ” Steevens . O you memory - ] Shakspeare often uses memory for memorial , and Beaumont and Fletcher sometimes . So , in The Humorous Lieutenant : Of old sir Rowland ! why ...
Sida 59
... Cymbeline : " thick sighs from him 2 a soldier ; وو Malone . -- he furnaceth the Full of strange oaths , and bearded like the pard , ] So , in Cynthia's Revels , by Ben Jonson : " Your soldiers face - the grace of this face consisteth ...
... Cymbeline : " thick sighs from him 2 a soldier ; وو Malone . -- he furnaceth the Full of strange oaths , and bearded like the pard , ] So , in Cynthia's Revels , by Ben Jonson : " Your soldiers face - the grace of this face consisteth ...
Sida 122
... Cymbeline : 66 May drive us to a render where we have liv'd . " Steevens . 1 — in which hurtling- ] To hurtle is to move with impe- tuosity and tumult . So , in Julius Cæsar : " A noise of battle hurtled in the air . " Again , in Nash's ...
... Cymbeline : 66 May drive us to a render where we have liv'd . " Steevens . 1 — in which hurtling- ] To hurtle is to move with impe- tuosity and tumult . So , in Julius Cæsar : " A noise of battle hurtled in the air . " Again , in Nash's ...
Sida 172
... Cymbeline , the diminution of space is used for the diminution , of which space or distance , is the cause . If he had written spaces , ( as in Troilus and Cressida , 66 her whom we know well " The world's large spaces cannot parallel ...
... Cymbeline , the diminution of space is used for the diminution , of which space or distance , is the cause . If he had written spaces , ( as in Troilus and Cressida , 66 her whom we know well " The world's large spaces cannot parallel ...
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The Plays of William Shakespeare: With the Corrections and ..., Volym 5 William Shakespeare Obegränsad förhandsgranskning - 1806 |
The Plays of William Shakespeare: In Twenty-one Volumes, with the ..., Volym 5 William Shakespeare Obegränsad förhandsgranskning - 1813 |
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allusion Audrey believe Bertram better brother called Celia Clown comedy Count Countess Cymbeline daughter Diana doth Duke F editor emendation Enter Exeunt Exit eyes fair father fear fool forest fortune give grace Hanmer hast hath heart heaven Helena Henley honest honour humour Jaques Johnson King Henry knave lady Lafeu live Lord Love's Labour's Lost madam maid Malone marry Mason meaning Measure for Measure Midsummer Night's Dream mistress nature never old copy reads Orlando Othello Parolles passage Phebe play poet poor pr'ythee pray quintain ring Rosalind Rousillon scene second folio sense Shakspeare signifies speak speech Steevens swear sweet sweet Oliver tell thee Theobald thine thing thou art Touch Troilus and Cressida Twelfth Night Tyrwhitt virginity virtue Warburton wife Winter's Tale woman word young youth