Oral InterpretationHoughton Mifflin, 1952 - 596 sidor |
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Resultat 1-3 av 59
Sida 19
... logical organization , evaluated the separate units , and understood the separate words and word - groups , he should put the selection back together and look at it again as a whole . What is the author saying ? How does he catch our ...
... logical organization , evaluated the separate units , and understood the separate words and word - groups , he should put the selection back together and look at it again as a whole . What is the author saying ? How does he catch our ...
Sida 434
... logical development moving as well . The third stanza also divides exactly in the middle , between the logical and the emotional . Here the poet has emphasized the divi- sion by using separate sentences . The first sentence is primarily ...
... logical development moving as well . The third stanza also divides exactly in the middle , between the logical and the emotional . Here the poet has emphasized the divi- sion by using separate sentences . The first sentence is primarily ...
Sida 588
... logical , 19-20 ; in narration , 280- 281 ; in drama , 345 , 346 Communication , oral interpretation as , 8-9 Conclusion : in narration , 280–281 ; in drama , 345 , 346 Connotation , vs. denotation , 190 , 205 Consonance , defined , 451 ...
... logical , 19-20 ; in narration , 280- 281 ; in drama , 345 , 346 Communication , oral interpretation as , 8-9 Conclusion : in narration , 280–281 ; in drama , 345 , 346 Connotation , vs. denotation , 190 , 205 Consonance , defined , 451 ...
Innehåll
What Is Oral Interpretation? | 3 |
Selection and Evaluation of Material 133 | 13 |
Analysis Preparation and Presentation | 51 |
Upphovsrätt | |
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achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA imagery important inter interpreter's James Thurber Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play plot poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing