The TempestApplause, 1996 - 143 sidor (Applause Books). The Applause edition of Shakespeare's The Tempest allows the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Readers and students are faced with real theatrical choices in each speech as the editors point out the challenges and opportunities to the actor and director at each juncture. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Sida 5
... storm , now acting without reference to the Master . As the sailors struggle at their work , a " cry within " adds a new , human and desperate sound to the storm . Enter SEBASTIAN , ANTONIO , and GONZALO . Yet again 5.
... storm , now acting without reference to the Master . As the sailors struggle at their work , a " cry within " adds a new , human and desperate sound to the storm . Enter SEBASTIAN , ANTONIO , and GONZALO . Yet again 5.
Sida 131
... reference to " their words " ( 1. 156 ) may imply that the onlookers had begun speaking among themselves during the earlier part of this scene , their speeches being unscripted , without order , and given no attention by the principal ...
... reference to " their words " ( 1. 156 ) may imply that the onlookers had begun speaking among themselves during the earlier part of this scene , their speeches being unscripted , without order , and given no attention by the principal ...
Sida 143
... reference to " prayer , " the choice of the active verb " pierce , " the reflection in " Mercy " and " free " of so many crises in the play itself , together with an allusion to the Lord's prayer in the last cou- plet , all widen the ...
... reference to " prayer , " the choice of the active verb " pierce , " the reflection in " Mercy " and " free " of so many crises in the play itself , together with an allusion to the Lord's prayer in the last cou- plet , all widen the ...
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actor ADRIAN ALONSO APPLAUSE attention audi audience awake BOATSWAIN Bosun bottle brave brother Caliban Ceres charms Cicely Berry comic command contrast courtiers dance daughter Derek Jacobi devil didst dost doth drink drowned Duke of Milan dukedom echoes ence enemies Enter ARIEL Exeunt Exit eyes father fear Ferdinand and Miranda follow fool foul gaberdine give Gonzalo grief harpy hast hath hear heavens Iris island Jacobean Juno king King of Naples king's laugh look lord lovers magic masque master mind monster move Naples nymphs offstage once paper ISBN pause performance perhaps play prithee probably Prospero speaks reply response rhythms royal Russell Brown scene Sebastian and Antonio sense Shakespeare ship shows silence Sings sleep speech spell-stopped spirit spoken stage stand Stephano storm strange Stratford-upon-Avon Sycorax talk tell tempest Theatre thee thine thoughts tion Trinculo Tunis verse-line voice weep words
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