The TempestApplause, 1996 - 143 sidor (Applause Books). The Applause edition of Shakespeare's The Tempest allows the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Readers and students are faced with real theatrical choices in each speech as the editors point out the challenges and opportunities to the actor and director at each juncture. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Sida 33
... usually continues to " gabble " ( see I. 358 ) , " shrugging " ( see I. 369 ) and expressing resis- tance by any means except coherent speech . He finds his voice only to submit with a brevity which is unusual for him ; but it is under ...
... usually continues to " gabble " ( see I. 358 ) , " shrugging " ( see I. 369 ) and expressing resis- tance by any means except coherent speech . He finds his voice only to submit with a brevity which is unusual for him ; but it is under ...
Sida 69
... usually , to hold his nose and shut his eyes . He attains a defini- tive shred of proverbial wisdom about " misery " ( I. 36 ) -delivered with emphasis directly to the audi- ence , it raises an inevitable laugh - and then plunges ...
... usually , to hold his nose and shut his eyes . He attains a defini- tive shred of proverbial wisdom about " misery " ( I. 36 ) -delivered with emphasis directly to the audi- ence , it raises an inevitable laugh - and then plunges ...
Sida 79
... Usually Ferdinand has stripped off his doublet and is disheveled and dirty ; he may look more like Caliban in this servitude than had seemed conceiv- able . Setting down his log , Ferdinand tries to justify the " baseness " ( 1. 2 ) of ...
... Usually Ferdinand has stripped off his doublet and is disheveled and dirty ; he may look more like Caliban in this servitude than had seemed conceiv- able . Setting down his log , Ferdinand tries to justify the " baseness " ( 1. 2 ) of ...
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actor ADRIAN ALONSO APPLAUSE attention audi audience awake BOATSWAIN Bosun bottle brave brother Caliban Ceres charms Cicely Berry comic command contrast courtiers dance daughter Derek Jacobi devil didst dost doth drink drowned Duke of Milan dukedom echoes ence enemies Enter ARIEL Exeunt Exit eyes father fear Ferdinand and Miranda follow fool foul gaberdine give Gonzalo grief harpy hast hath hear heavens Iris island Jacobean Juno king King of Naples king's laugh look lord lovers magic masque master mind monster move Naples nymphs offstage once paper ISBN pause performance perhaps play prithee probably Prospero speaks reply response rhythms royal Russell Brown scene Sebastian and Antonio sense Shakespeare ship shows silence Sings sleep speech spell-stopped spirit spoken stage stand Stephano storm strange Stratford-upon-Avon Sycorax talk tell tempest Theatre thee thine thoughts tion Trinculo Tunis verse-line voice weep words
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