Observations on Poetry, Especially the Epic:: Occasioned by the Late Poem Upon Leonidas..H. Woodfall. Sold by J. Brotherton, in Cornhill; J. Nourse, without Temple-Bar; and R. Dodsley, in Pall-mall., 1738 - 167 sidor |
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Sida vii
... ibid . ibid . SECTION I. Of the nature and primary intention of epic and dramatic poetry . p . 4 EPIC and dramatic poetry defcribed . ibid . The preheminence afcribed by Ariftotle to the fable . His reafons confidered . Milton's opinion ...
... ibid . ibid . SECTION I. Of the nature and primary intention of epic and dramatic poetry . p . 4 EPIC and dramatic poetry defcribed . ibid . The preheminence afcribed by Ariftotle to the fable . His reafons confidered . Milton's opinion ...
Sida viii
... ibid . What lays a poem under the cenfure of being hi- ftorical . When the natural order ought to be disturbed , and when not . P. 34 P. 37 ibid . Of the compafs of time to be taken up in a dramatic reprefentation , or epic narration ...
... ibid . What lays a poem under the cenfure of being hi- ftorical . When the natural order ought to be disturbed , and when not . P. 34 P. 37 ibid . Of the compafs of time to be taken up in a dramatic reprefentation , or epic narration ...
Sida ix
... ibid . is not inverted . That the fubject of an epic poem be important . p . 41 When it ought to be taken from the hiftory of the poet's country , and when that is not neceffary . p . 42 Why the poem on Leonidas is not built upon a ...
... ibid . is not inverted . That the fubject of an epic poem be important . p . 41 When it ought to be taken from the hiftory of the poet's country , and when that is not neceffary . p . 42 Why the poem on Leonidas is not built upon a ...
Sida x
... ibid . p . 63 p . 65 SECTION V. Of the language of po- etry . p . 70 WHEREIN the beauty of poetic language confifts ibid . P. 71 ibid . in general . The general nature and defign of poetry inquired into in order to specify more ...
... ibid . p . 63 p . 65 SECTION V. Of the language of po- etry . p . 70 WHEREIN the beauty of poetic language confifts ibid . P. 71 ibid . in general . The general nature and defign of poetry inquired into in order to specify more ...
Sida xi
... ibid . p . 100 PIOI P. 102 SECTION VI . Of verfification . p . 106 THE difference in general between the measures of the ancient odes , and of the verfe for recital ; and by what means the ode - measures are reducible to a mufical ...
... ibid . p . 100 PIOI P. 102 SECTION VI . Of verfification . p . 106 THE difference in general between the measures of the ancient odes , and of the verfe for recital ; and by what means the ode - measures are reducible to a mufical ...
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Observations on Poetry, Especially the Epic: Occasioned by the Late Poem ... Henry Pemberton Obegränsad förhandsgranskning - 1738 |
Observations on Poetry, Especially the Epic: Occasioned by the Late Poem ... Henry Pemberton Obegränsad förhandsgranskning - 1738 |
Observations on Poetry: Especially the Epic : Occasioned by the Late Poem ... Henry Pemberton Fragmentarisk förhandsgranskning - 1995 |
Vanliga ord och fraser
action Æneid againſt alfo alſo ancient Ariftotle becauſe characters circumſtances compariſon compofed confidered confifts dactylic defign deſcription diftinct Diomedon diſcourſe diſtinguiſhed epic poet epic poetry expreffed expreffion fable fame fays fecond feet fentiment ferve fhall fhew fhort fhould fince fingle firft firſt fome foon foot forms of fpeech fpirit ftill fubject fublime fuch fuppofe fupport fyllable greateſt hexameter himſelf Homer iambic Ibid Iliad inftruct itſelf juft juſt kind laft language laſt lefs Leonidas leſs long fyllable meaſure mind moft moſt mufic muft muſt neceffary o'er obferves occafion paffions particular Perfian perfons pleaſure poem Poët poetic Polydorus prefent profe purpoſe Quintilian racter raiſe reaſon repreſentation repreſented reſemblance ſcarce ſeries ſhall ſhort ſome ſuch thefe themſelves theſe thofe thoſe thou tion tragedy trochaic underſtanding uſe verfe verſe Virgil virtue whoſe words writer ἂν δὲ ἐκ ἐν καὶ οἱ ὅτι τὰ τε τὸ
Populära avsnitt
Sida 81 - With solemn touches troubled thoughts, and chase Anguish and doubt and fear and sorrow and pain From mortal or immortal minds. Thus they, Breathing united force with fixed thought, Moved on in silence to soft pipes that charmed Their painful steps o'er the burnt soil.
Sida 81 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Sida 80 - Obscure some glimpse of joy, to have found their chief Not in despair, to have found themselves not lost In loss itself: which on his countenance cast Like doubtful hue : but he, his wonted pride Soon recollecting, with high words, that bore Semblance of worth, not substance, gently raised Their fainting courage, and dispell'd their fears.
Sida 80 - A shout, that tore hell's concave, and beyond Frighted the reign of Chaos and old Night. All in a moment...
Sida 82 - Subjection, but requir'd with gentle sway, And by her yielded, by him best receiv'd, Yielded with coy submission, modest pride, And sweet reluctant amorous delay.
Sida 66 - Sparta ! and demand my life ; My heart, exulting, answers to thy call, And smiles on glorious fate. To live with fame The gods...
Sida 81 - Nor wanting power to mitigate and swage, With solemn touches troubled thoughts, and chase Anguish, and doubt, and fear, and sorrow, and pain, From mortal or immortal minds. Thus they, Breathing united force, with fixed thought...
Sida 82 - Forth ifluing on a fummer's morn to breathe Among the pleafant villages and farms Adjoin'd, from each thing met conceives delight, The fmell of grain, or tedded grafs, or kine...
Sida 81 - Truth, wifdom, fanâitude fevere and pure ; Severe, but in true filial freedom plac'd ; Whence true authority in men : though both Not equal, as their fex not equal feem'd ; For contemplation he and valour form'd, For foftnefs me and fweet attractive grace , He for God only, fhe for God in him.
Sida 134 - Numbers, fit quantity of fyllables, and the fenfe varioufly drawn out from one verfe into another ; not in the jingling found of like endings ; a fault avoided by the learned Antients both in Poetry, and all good Oratory.