The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
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James Chapman. The Original Rhythmical Grammar of the English Language 1976 Georg Olms Verlag Hildesheim New York Q Note The present facsimile is reproduced from a copy in James Chapman.
James Chapman. The Original Rhythmical Grammar of the English Language 1976 Georg Olms Verlag Hildesheim New York Q Note The present facsimile is reproduced from a copy in James Chapman.
Sida
James Chapman. Note The present facsimile is reproduced from a copy in the possession of the British Library , London . Shelfmark : 12984. e . 13 K. S. Nachdruck der Ausgabe Edinburgh 1821 Printed in Germany Herstellung : fotokop wilhelm ...
James Chapman. Note The present facsimile is reproduced from a copy in the possession of the British Library , London . Shelfmark : 12984. e . 13 K. S. Nachdruck der Ausgabe Edinburgh 1821 Printed in Germany Herstellung : fotokop wilhelm ...
Sida iii
... Notes . - Exer- cises on the Accents CHAP . III . Quantity . Names of the Notes of Quantity . Manner of lengthening Quantities.- Ac- cent and Quantity combined - Exercises CHAP . IV . Pauses or Rests . - Grammatical Punctuation ...
... Notes . - Exer- cises on the Accents CHAP . III . Quantity . Names of the Notes of Quantity . Manner of lengthening Quantities.- Ac- cent and Quantity combined - Exercises CHAP . IV . Pauses or Rests . - Grammatical Punctuation ...
Sida ix
... notes of the same piece , and differ only in their knowledge of the art , the varieties of voice , and the introduction of those graces which arise from the peculiarity of taste and feeling ; still the music of the piece re- mains the ...
... notes of the same piece , and differ only in their knowledge of the art , the varieties of voice , and the introduction of those graces which arise from the peculiarity of taste and feeling ; still the music of the piece re- mains the ...
Sida xiii
... notes , into the form of questions , which , not to interrupt the connection of the text , are arranged by themselves , and nuin- bered according to each chapter , When boys and girls , at school , have arrived at that degree of ...
... notes , into the form of questions , which , not to interrupt the connection of the text , are arranged by themselves , and nuin- bered according to each chapter , When boys and girls , at school , have arrived at that degree of ...
Innehåll
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
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The Original Rhythmical Grammar of the English Language: Or, the Art of ... Rev. James Chapman Obegränsad förhandsgranskning - 1821 |
The Original Rhythmical Grammar of the English Language James Chapman Fragmentarisk förhandsgranskning - 1976 |
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accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words
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