Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation to the Poetry of the Time
CUP Archive, 5 juli 1979 - 279 sidor
Professor Bradbrook's subject in this study, which was first published by Cambridge in 1979, is no less than the relating of Shakespeare's work to the poetry, criticism and life of his age. Drawing upon a considerable body of evidence, she shows how Shakespeare was influenced by medieval thought, by classical sources, by the popular verse and the theatre of his day, and by the Elizabethan use of language. Professor Bradbrook then proceeds to examine some of his plays in detail; although not writing from the standpoint of any special theory, she includes several interpretations of plays - of All's Well that Ends Well for instance, and of Henry IV - which have proved influential.
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Court Poetry of Elizabeths
Elizabethan Poetic and
The Ovidian Romance
Character in Shakespeares
Titus Andronicus Rape of Lucrece
Henry VI Richard III Richard II
Sonnets Two Gentle
Alls Well Merchant of Venice
Loves Labours Lost As You Like
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Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation ...
Muriel Clara Bradbrook
Fragmentarisk förhandsgranskning - 1952
action allowed appear audience beauty becomes body called chapter characters colours comedy common compared contrast course court courtly death disguise drama earlier early Elizabethan embodiment English eyes Falstaff feelings figures final give given hand heart Henry Hero human interest John kind King lady lament later learned less lively London looks Lord lovers Lucrece manner means medieval mind mirror moral Nature night particular pattern perhaps picture play poem poet poetry popular present Prince Queen relation rhetorical Richard scene seems seen sense Shakespeare Sidney significance soliloquy sonnets species speech Spenser stage story style symbolic thee theme thing thou thought Titus tradition tragedy turn Venus whole writing young
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Fragmentarisk förhandsgranskning - 1984
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