Principles of Literary Criticism

activity actual aesthetic Alexander Selkirk appear arise Aristotle artist attitudes Beauty become behaviour belief Biographia Literaria C. K. Ogden Chapter character Coleridge colour communication complex confusion connection consciousness course critical theory criticism definite degree depends difficult discussed Doctrines effects elements Eliot's emotion example experience explain fact feeling further human I. A. RICHARDS imagery images imagination important impulses instance interest interpretation involved judgement kind King Lear least less matter Matthew Arnold means mental event merely metaphor metre mind moral nature nervous system normal object obscure organization peculiar perhaps perience persons pleasure poem poet poetic poetry possible present problem produce psychology reader reasons reference relations response rhythm scientific sensations sense sensory Shelley similar stimuli tend theory of value things Thomas Rymer thought tion Tragedy true truth usually valuable varied visual Waste Land whole words