Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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... Othello of the Characters with the criticism of Mr. Kean's Othello that appeared in the Examiner of July 24 , 1814 , and January 7 , 1816 ; the Coriolanus of the Characters with the criticism of Mr. Kemble's Coriolanus that appeared in ...
... Othello of the Characters with the criticism of Mr. Kean's Othello that appeared in the Examiner of July 24 , 1814 , and January 7 , 1816 ; the Coriolanus of the Characters with the criticism of Mr. Kemble's Coriolanus that appeared in ...
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... Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most ...
... Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most ...
Sida 3
... Othello's jealousy . Her answer to the most distressing part of the picture is only , " My lord , I fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his designs against herself , is a good lesson to ...
... Othello's jealousy . Her answer to the most distressing part of the picture is only , " My lord , I fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his designs against herself , is a good lesson to ...
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... Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello for the ...
... Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello for the ...
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... OTHELLO It IT has been said that tragedy purifies the affections by terror and pity . That is , it substitutes imaginary sympathy for mere selfishness . It gives us a high and permanent interest , beyond ourselves , in humanity as such ...
... OTHELLO It IT has been said that tragedy purifies the affections by terror and pity . That is , it substitutes imaginary sympathy for mere selfishness . It gives us a high and permanent interest , beyond ourselves , in humanity as such ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth