Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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Sida 13
... Come , thick night ! And pall thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heav'n peep through the blanket of the dark , To cry , hold , hold ! - " " When she first hears that " Duncan comes ...
... Come , thick night ! And pall thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heav'n peep through the blanket of the dark , To cry , hold , hold ! - " " When she first hears that " Duncan comes ...
Sida 22
... comes in triumph over Pompey's blood ? Begone- Run to your houses , fall upon your knees , Pray to the Gods to intermit the plague , That needs must light on this ingratitude . " The well - known dialogue between Brutus and Cassius , in ...
... comes in triumph over Pompey's blood ? Begone- Run to your houses , fall upon your knees , Pray to the Gods to intermit the plague , That needs must light on this ingratitude . " The well - known dialogue between Brutus and Cassius , in ...
Sida 23
... Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakespear than this . It is as if he had been actually present , had known the ...
... Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakespear than this . It is as if he had been actually present , had known the ...
Sida 27
... comes directly home to the bosoms and business of men . " The pathos in Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the ...
... comes directly home to the bosoms and business of men . " The pathos in Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the ...
Sida 30
... comes , " & c . In this state of exasperation and violence , after the first paroxysms of his grief and tender- ness have had their vent in that passionate apostrophe , " I felt not Cassio's kisses on her lips , " Iago , by false ...
... comes , " & c . In this state of exasperation and violence , after the first paroxysms of his grief and tender- ness have had their vent in that passionate apostrophe , " I felt not Cassio's kisses on her lips , " Iago , by false ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth