Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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Sida xix
... , who , in the language of Lessing , are thorough masters of the legal style of love . He paints , in a most inimitable manner , the gradual progress from the first origin . " He gives , " as Lessing says b 2 PREFACE xix.
... , who , in the language of Lessing , are thorough masters of the legal style of love . He paints , in a most inimitable manner , the gradual progress from the first origin . " He gives , " as Lessing says b 2 PREFACE xix.
Sida xxiii
... language of measured prose . To him an excess of beauty was a fault ; for it appeared to him like an excrescence ; and his imagination was dazzled by a blaze of light . His writings neither shone with the beams of native genius , nor ...
... language of measured prose . To him an excess of beauty was a fault ; for it appeared to him like an excrescence ; and his imagination was dazzled by a blaze of light . His writings neither shone with the beams of native genius , nor ...
Sida xxiv
... language , and institutions ; and it was in arranging , comparing , and arguing on these kind of general results , that Johnson's excellence lay . But he could not quit his hold of the common - place and mechanical , and apply the ...
... language , and institutions ; and it was in arranging , comparing , and arguing on these kind of general results , that Johnson's excellence lay . But he could not quit his hold of the common - place and mechanical , and apply the ...
Sida xxvi
... language , and his tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that “ his tragedy was skill , " he affirms in the next page , " His ...
... language , and his tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that “ his tragedy was skill , " he affirms in the next page , " His ...
Sida 43
... language of poetry naturally falls in with the language of power . The imagination is an exaggerating and exclusive faculty : it takes from one thing to add to another : it accumulates circumstances together to give the greatest ...
... language of poetry naturally falls in with the language of power . The imagination is an exaggerating and exclusive faculty : it takes from one thing to add to another : it accumulates circumstances together to give the greatest ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth