Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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Sida vi
... sense of the beauties of the author , and an eloquent exposition of them , and all this and more may be found in the volume before us . " No doubt this very just criticism helped the sale of the book , but as it was natural in those ...
... sense of the beauties of the author , and an eloquent exposition of them , and all this and more may be found in the volume before us . " No doubt this very just criticism helped the sale of the book , but as it was natural in those ...
Sida xxi
... senses by the exhibition of the most insupportable and hateful spectacles , is one of much greater importance . He has never , in fact , varnished over wild and blood- thirsty passions with a pleasing exterior , -never clothed crime and ...
... senses by the exhibition of the most insupportable and hateful spectacles , is one of much greater importance . He has never , in fact , varnished over wild and blood- thirsty passions with a pleasing exterior , -never clothed crime and ...
Sida xxii
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fantastical . " Let those who have a prejudice ...
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fantastical . " Let those who have a prejudice ...
Sida xxiii
... sense and practical wisdom , rather than of genius or feeling . He retained the regular habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was ...
... sense and practical wisdom , rather than of genius or feeling . He retained the regular habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was ...
Sida xxv
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description of a ruin in the Mourning Bride , would have answered Johnson's ...
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description of a ruin in the Mourning Bride , would have answered Johnson's ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth