Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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Sida xx
... true , passages , though comparatively speaking , very few , where his poetry exceeds the bounds of true dialogue , where a too soaring imagination , a too luxuriant wit , rendered the complete dramatic forgetful- ness of himself ...
... true , passages , though comparatively speaking , very few , where his poetry exceeds the bounds of true dialogue , where a too soaring imagination , a too luxuriant wit , rendered the complete dramatic forgetful- ness of himself ...
Sida xxii
... true , various , and profound , with his serious . So little is he disposed to caricature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great ...
... true , various , and profound , with his serious . So little is he disposed to caricature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great ...
Sida 2
... true ; and we might cite in proof of this remark not only the present play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is ...
... true ; and we might cite in proof of this remark not only the present play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is ...
Sida 6
... true is it that folly is as often owing to a want of proper sentiments as to a want of understanding ! The exclamation of the ancient critic- Oh Menander and Nature , which of you copied from the other ! would not be misapplied to ...
... true is it that folly is as often owing to a want of proper sentiments as to a want of understanding ! The exclamation of the ancient critic- Oh Menander and Nature , which of you copied from the other ! would not be misapplied to ...
Sida 18
... true , he becomes more callous as he plunges deeper in guilt , " direness is thus rendered familiar to his slaughterous thoughts , " and he in the end anticipates his wife in the boldness and bloodiness of his enterprises , while she ...
... true , he becomes more callous as he plunges deeper in guilt , " direness is thus rendered familiar to his slaughterous thoughts , " and he in the end anticipates his wife in the boldness and bloodiness of his enterprises , while she ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth