Poems for Study: A Critical and Historical Introduction, Volym 1Rinehart, 1953 - 743 sidor |
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... called stressed and unstressed , or ac- cented and unaccented . For example , in the word belief the first syllable is weak and the second is strong . A technical terminology has been adapted from Greek and Latin prosody for reference ...
... called stressed and unstressed , or ac- cented and unaccented . For example , in the word belief the first syllable is weak and the second is strong . A technical terminology has been adapted from Greek and Latin prosody for reference ...
Sida 27
... called end - stopped . When there is no pause , the line is called run - on . Pauses within the line are one of the main devices for variety in rhythmical effects , since different pauses may be of varying lengths . An especially long ...
... called end - stopped . When there is no pause , the line is called run - on . Pauses within the line are one of the main devices for variety in rhythmical effects , since different pauses may be of varying lengths . An especially long ...
Sida 194
... called " smoothness , " and an avoidance of thoughts or expressions that might be called extravagant . Most cer- tainly Waller was incapable of what Pope called " the full resounding line " of Dryden , just as he was of the subtlety of ...
... called " smoothness , " and an avoidance of thoughts or expressions that might be called extravagant . Most cer- tainly Waller was incapable of what Pope called " the full resounding line " of Dryden , just as he was of the subtlety of ...
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General | 3 |
John Skelton c 14601529 | 39 |
Sir Thomas Wyatt 15031542 | 52 |
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Poems for Study: A Critical and Historical Introduction Leonard Unger Fragmentarisk förhandsgranskning - 1953 |
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Andrew Marvell Annabel Lee beauty bird breath bright caesura cloud couplet Danny Deever dark dead death deep delight Donne's doth dream Dryden earth Eliot eternal eyes F. R. LEAVIS F. W. Bateson face fair fall fear feel flowers grief hand hath hear heart heaven human iambic pentameter imagery imagination Keats language leaves light literary live look Lord lover Lycidas meaning metaphor metaphysical poets Milton mind moon morning nature neoclassical never night o'er passion poem poet poetic poetry praise rhyme rhythm sense shine sigh sing sleep song sonnet soul sound spirit stanza stars statement strong Suggested Readings sweet symbol T. S. Eliot tears thee theme thine things thou art thought tone Ulalume verse voice W. H. Auden Wallace Stevens waves weep wild wind woods words Wordsworth ΙΟ