Biographia Literaria, Volym 2
Clarendon Press, 1907 - 334 sidor
These two volumes are a reprint of the edition of 1817 with additional material to clarify the text. It includes Coleridge's aesthetical writings; notes on the text; and an introductory essay about his theory of imagination.
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions
Samuel Taylor Coleridge
Begränsad förhandsgranskning - 1834
admiration answer appear association attention beauty become Biog called cause character Coleridge Coleridge's common composition connected consists critic definition delight distinction edition effect English equally Essay excellence excitement existence expression feeling former genius German give greater hand heart human images imagination imitation immediate individual instance interest Italy kind language least less Letters light lines living look means metre Milton mind moral nature never object observed once opinion original PAGE passage passed passion perhaps person philosopher pleasure poem poet poetic poetry possible Preface present principle produced prose published reader reason reference respect Review seems sense Shakespeare sound speaking spirit stanza style taste thing thought tion true truth universal whole Wordsworth writings written
Sida 289 - Lyrical Ballads; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.
Sida 12 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Sida 35 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Sida 51 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
Sida 74 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
Sida 6 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Sida 12 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Sida 45 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.