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One of his acutest (I might have said profoundest) remarks relates to the near connection between deceiving and being deceived. Volumes might be written in explanation of it. "This vice, therefore," he says, "brancheth itself into two sorts; delight in deceiving, an aptness to be deceived, imposture and credulity; which, although they appear to be of a diverse nature, the one seeming to proceed of cunning, and the other of simplicity, yet certainly they do for the most part concur. For, as the verse noteth, Percontatorem fugito, nam garrulus idem est ; an inquisitive man is a prattler: so upon the like reason, a credulous man is a deceiver; as we see it in fame, that he that will easily believe rumours will as easily augment rumours, and add somewhat to them of his own, which Tacitus wisely noteth, when he saith Fingunt simul creduntque, so great an affinity hath fiction and belief."

I proceed to his account of the causes of error, and directions for the conduct of the understanding, which are admirable both for their speculative ingenuity and practical use:

"The first of these," says Lord Bacon, "is the extreme affection of two anxieties: the one antiquity, the other novelty, wherein it seemeth the children of time do take after the nature and malice of the father. For as he devoureth his children, so one of them seeketh to devour and suppress the other; while antiquity envieth there should be new additions, and novelty cannot be content to add, but it must deface. Surely, the advice of the prophet is the true direction in this respect, State super vias antiquas, et videte quænam sit via recta el bona, et ambulate in ea. Antiquity deserveth that reverence, that men should make a stand thereupon, and discover what is the best way, but when the discovery is well taken, then to take progression. And to speak truly," he adds, " Antiquitas seculi juventus mundi. These times are the ancient times when the world is ancient; and not those which we count ancient ordine retrogrado, by a computation backwards from ourselves.

"Another error, induced by the former, is a distrust that anything should be now to be found out which the world should have missed and passed over so long time, as if the same objection were to be made to time that Lucian makes to Jupiter and other the Heathen Gods, of which he wondereth that they begot so many children in old age, and begot none in his time, and asketh whether they were become septuagenary, or whether the law Papia made against old men's marriages had restrained them. So it seemeth men doubt, lest time was become past children and generation; wherein, contrary-wise, we see commonly the levity and unconstancy of men's judgments, which, till a matter be done, wonder that it can be done, and as soon as it is done wonder again that it was done no sooner, as we see in the expedition of Alexander into

Asia, which at first was prejudged as a vast and impossible enterprise, and yet afterwards it pleaseth Livy to make no more of it than this, nil aliud quam bene ausus vana contemnere. And the same happened to Columbus in his western navigation. But in intellectual matters it is much more common; as may be seen in most of the propositions in Euclid, which till they be demonstrate, they seem strange to our assent, but being demonstrate, our mind accepteth of them by a kind of relation (as the lawyers speak,) as if we had known them before.

"Another is an impatience of doubt and haste to assertion without due and mature suspension of judgment. For the two ways of contemplation are not unlike the two ways of action, commonly spoken of by the ancients. The one plain and smooth in the beginning, and in the end impassable; the other rough and troublesome in the entrance, but, after a while, fair and even; so it is in contemplation, if a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts, he shall end in certainties.

"Another error is in the manner of the tradition or delivery of knowledge, which is for the most part magistral and peremptory, and not ingenuous and faithful; in a sort, as may be soonest believed, and not easiliest examined. It is true, that in compendious treatises for practice, that form is not to be disallowed. But in the true handling of knowledge, men ought not to fall either on the one side into the vein of Velleius the Epicurean: nil tam metuens quam ne dubitare aliqua de re videretur; nor, on the other side, into Socrates his ironical doubting of all things, but to propound things sincerely, with more or less asseveration; as they stand in a man's own judgment, proved more or less."

Lord Bacon in this part declares, "that it is not his purpose to enter into a laudative of learning or to make a hymn to the Muses," yet he has gone near to do this in the following obser vations on the dignity of knowledge. He says, after speaking of rulers and conquerors :—

"But the commandment of knowledge is yet higher than the commandment over the will: for it is a commandment over the reason, belief, and understanding of man, which is the highest part of the mind, and giveth law to the will itself. For there is no power on earth which setteth a throne or chair of estate in the spirits and souls of men, and in their cogitations, imaginations, opinions, and beliefs, but knowledge and learning. And therefore we see the detestable and extreme pleasure that arch-heretics and false prophets and impostors are transported with, when they once find in themselves that they have a superiority in the faith and conscience of men; so great, as if they have once tasted of it, it is seldom seen that any torture or persecution can make them relinquish or abandon it. But as this is that which the author of the Revelations calls the depth or profoundness of Satan; so by argument of contraries, the just and lawful sovereignty over men's understanding, by force of

truth rightly interpreted, is that which approacheth nearest to the similitude of the Divine rule. Let us conclude with the dignity and excellency of knowledge and learning in that whereunto man's nature doth most aspire, which is immortality or continuance: for to this tendeth generation, and raising of houses and families; to this tendeth buildings, foundations, and monuments; to this tendeth the desire of memory, fame, and celebration, and in effect the strength of all other humane desires; we see then how far the monuments of wit and learning are more durable than the monuments of power or of the hands. For, have not the verses of Homer continued twenty-five hundred years and more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities, have been decayed and demolished? It is not possible to have the true pictures or statues of Cyrus, Alexander, Cæsar, no, nor of the kings or great personages of much later years. For the originals cannot last: and the copies cannot but lose of the life and truth. But the images of men's wits and knowledge remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages. So that, if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits, how much more are letters to be magnified, which, as ships, pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions the one of the other?"

Passages of equal force and beauty might be quoted from almost every page of this work and of the Essays.

Sir Thomas Brown and Bishop Taylor were two prose-writers in the succeeding age, who, for pomp and copiousness of style, might be compared to Lord Bacon. In all other respects they were opposed to him and to one another.-As Bacon seemed to bend all his thoughts to the practice of life, and to bring home the light of science to "the bosoms and businesses of men," Sir Thomas Brown seemed to be of opinion that the only business of life was to think, and that the proper object of speculation was, by darkening knowledge, to breed more speculation, and “find no end in wandering mazes lost." He chose the incomprehensible and impracticable as almost the only subjects fit for a lofty and lasting contemplation, or for the exercise of a solid faith. He cried out for an oh altitudo beyond the heights of revelation, and posed himself with apocryphal mysteries, as the pastime of his leisure hours. He pushes a question to the utmost verge of

conjecture, that he may repose on the certainty of doubt; and he removes an object to the greatest distance from him, that he may take a high and abstracted interest in it, consider it in its relation to the sum of things, not to himself, and bewilder his understanding in the universality of its nature, and the inscru tableness of its origin. His is the sublime of indifference; a passion for the abstruse and imaginary. He turns the world round for his amusement, as if it was a globe of paste-board. He looks down on sublunary affairs as if he had taken his station in one of the planets. The Antipodes are next-door neighbours to him, and Doomsday is not far off. With a thought he embraces both the poles; the march of his pen is over the great divisions of geography and chronology. Nothing touches him nearer than humanity. He feels that he is mortal only in the decay of nature, and the dust of long-forgotten tombs. The finite is lost in the infinite. The orbits of the heavenly bodies or the history of empires are to him but a point in time or a speck in the universe. The great Platonic year revolves in one of his periods. Nature is too little for the grasp of his style. He scoops an antithesis out of fabulous antiquity, and rakes up an epithet from the sweepings of Chaos. It is as if his books had dropt from the clouds, or as if Friar Bacon's head could speak. He stands on the edge of the world of sense and reason, and gains a vertigo by looking down on impossibilities and chimeras. Or he busies himself with the mysteries of the Cabala, or the enclosed secrets of the heavenly quincunxes, as children are amused with tales of the nursery. The passion of curiosity (the only passion of childhood) had in him survived to old age, and had superannuated his other faculties. He moralizes and grows pathetic on a mere idle fancy of his own, as if thought and being were the same, or as if "all this world were one glorious lie." For a thing to have ever had a name is sufficient warrant to entitle it to respectful belief, and to invest it with all the rights of a subject and its predicates. He is superstitious, but not bigoted; to him all religions are much the same, and he says that he should not like to have lived in the time of Christ and the Apostles, as it would have rendered his faith too gross and palpable. His gossiping egotism and personal char

acter have been preferred unjustly to Montaigne's. He had no personal character at all but the peculiarity of resolving all the other elements of his being into thought, and of trying experiments on his own nature in an exhausted receiver of idle and unsatisfactory speculations. All that he "differences himself by," to use his own expression, is this moral and physical indif ference. In describing himself he deals only in negatives. He says he has neither prejudices nor antipathies to manners, habits, climate, food, to persons or things; they were alike acceptable to him as they afforded new topics for reflection; and he even professes that he could never bring himself heartily to hate the devil. He owns in one place of the Religio Medici, that "he could be content if the species were continued like trees," and yet he declares that this was from ǹo aversion to love, or beauty, or harmony; and the reasons he assigns to prove the orthodoxy of his taste in this respect is, that he was an admirer of the music of the spheres! He tells us that he often composed a comedy in his sleep. It would be curious to know the subject. or the texture of the plot. It must have been something like Nabbes's "Mask of Microcosmus,' of which the dramatis persona have been already given; or else a misnomer, like Dante's 'Divine Comedy of Heaven, Hell, and Purgatory.' He was twice married, as if to show his disregard even for his own theory; and he had a hand in the execution of some old women for witchcraft, I suppose to keep a decorum in absurdity, and to indulge an agreeable horror at his own fantastical reveries on the occasion. In a word, his mind seemed to converse chiefly with the intelligible forms, the spectral apparitions of things; he delighted in the preternatural and visionary, and he only existed at the circumference of his nature. He had the most intense consciousness of contradictions and non-entities, and he decks them out in the pride and pedantry of words, as if they were the attire of his proper person: the categories hang about his neck like the gold chain of knighthood, and he "walks gowned" in the intricate folds and swelling drapery of dark sayings and impenetrable riddles!

I will give one gorgeous passage to illustrate all this, from his Urn-Burial, or Hydriotaphia.' He digs up the urns of

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